Excerpt from “The Chromatic Books of Horrors & Heroes,” the Caput Mortuum Notebook, by Ben-Derek Hayes (Age 16)

Excerpts from another of the “Chromatic Books of Horrors & Heroes” by Ben-Derek Hayes. This one is from a few years later in Hayes’ career, and it’s clear from both the use of “caput mortuum” to describe a purple-brown spiral notebook color, and the periodic notes in margins about Greek architecture, the Roman Empire, the “missing Sea Peoples,” and pop quiz dates that out author wrote much of this while taking ancient history and Humanities courses in public school. As before, the art of Zdenek Sasek attempts to capture the essence of Hayes’ art sketches, which show real improvement since his earliest notebooks.

While the idea of wargates and other “typical” categories of trapped items is fascinating, I actually chose to showcase this excerpt because of the worldbuilding hinted at, with multi-species empires fighting and collapsing, apparent categories of societies based on how “new in the day” they are, and some shade thrown at classic “fantasy good guy” lands rules by dwarves, elves, and humans. I hope to find more information on these topics as I go through the notebooks, but it looks like it is scattered throughout the last few years of notebooks, and may take considerable compiling and revising before a clear picture of this fantasy world (which, if it has a name, I have not found yet) becomes clear.

Even so, the deep mix of the familiar, the gonzo, and the unexpectedly reasonable in this excerpt reminds me of my earliest days as a GM, and takes my breath away.

WARDGATES

Wardgates are one of the Seven Typically Trapped Things -7TTT- along with chests, forbiddings, holdouts, panopticons, necropolises, and sarcophagi. As long as appropriate knowledge/lore checks or recon reveals something to be one of the 7TTT, characters automatically get to search for traps without the player having to say so. If something isn’t a 7TTT, and is trapped (THIS IS RARE – NO MORE THAN ONCE PER STORY ARC) you still get such automatic checks but at -5 (unless you have a power to allow you to always be trapfinding), in which case you do not. Players never need to (or get to) slow down the game by asking if things are trapped, but also never get penalized for not thinking to ask if every single thing is trapped — all trapchecking rolls are called for by the GM, though research and study of an area in advance can grant checks to know if there are 7TTT or Rare Other Traps present.

Wardgates originated with Gaub-Algen Empire, before it’s destruction at the hands of the Dwarf/Elf/Human Alliance (or Dehallia) [which created the Dehallia prejudice against all Gaub-Algen, or “goblins” including orcs, goblins, hobgoblins, bugbears, ogres, giants*, trolls, knuckies (the mammalian of the two races both wrongly called “kobolds” by Dehallian sources), draugh (or “dark elves” which can be any color but have much longer ears making them “obviously” degenerate and inferior to High Elf/Wood Elf standards)], and like many things Gaub-Algenian has been adopted by most of the Dawn Kingdoms, and no small number of Noon Kingdoms and even a few Dusk Empires.

*Technically not the Fomorians — athatch, cyclops, ettins, and firbolgs, who were part of the Giganarchy which opposed and was destroyed by Gaub-Algen prior to the DEH Alliance taking down the Empire — nor the Nephilim — oni, rakshasa, titans, and other part-angelic creatures, who are still quite in power to the Far West in Muthuul-Danleib and only some of which come far enough east to hit the Commonlands and run into adventurers. But most Dehallia sources don’t bother to differentiate between types of giants.

Wardgates were used as large, impressive entrances to important places. They would often be open and safe, but could be both locked, and locked as “armed” (meaning the trap is set to go off). The function of a wardgate is multifold. First, it is a symbol of power — look, see, we have entrances that can defend themselves! Second, when locked and activated it serves as an unmanned line of defense — likely not enough to stop a rampaging beetlephant or pyrosaurus rex, but something that hurts them, may drive off less sapient monsters, and delays or slows them while the guard/army/magic missile-only brigade prepares a defense in-depth. Third it can be a crowd control deterrent — no one wants to riot in Upper Silverholt because the Royal Elven Wardgate might be closed, making it difficult for anyone to get home. Fourth, they can be tested in the name of local defense, but thus showing off how advanced your kingdom’s flaming poisoned caltrop launchers have become as a form of international saber-rattling.

Since most of those functions require people to know a wardgate is a wardgate, they tend to be big, conspicuous, and obviously something more than just a hole in their connected wall. Of course, wargates from different cultures are marked differently, so especially when dealing with Dusk or Nightfall Kingdoms, cultural/historical knowledge/lore is helpful when identifying them. Even so, if when crawling through an Nightfall Ruin, if an archway has a fanged face worked into its keystone, and that turns out to be a wardgate, it’s easy enough to treat all future portals with fanged-face-keystones as potentially trapped.

Some typical wardgate traps:

INSTANT ROCKFALL: Crude, yet effective, the instant rockfall is built so a defender inside the attached wall (or a watchtower for slightly more advanced versions) can hammer loose a brake, dropping a weighted chain down a shaft, causing the chain to pull free lynchpins within the wardgate, so it collapses. This is a one-use wardgate that literally requires it to be rebuilt after each use, so they are almost always only observer-triggered. Thus difficult to disarm. In ruins an instant rockfall is only dangerous because the lynchpins may be rusted or missing, thus a strong shock (like a fireball) can cause it to collapse more easily than surrounding ruined sections.

HELLGATE: A hellgate is a form of iron portcullis made of hollow, perforated metal with spaces at the bottom for Greek fire. Arming it requires placing the Greek fire in the slots, and then if it is dropped (rather than slowly lowered) the Greek fire vials break, the hollow grille works as a chimeny, and the whole gate and an area around it bursts into fire. More advanced hellgates may also have ways to add agents through the hollow grille from above, ranging from oil (to keep the fires going), smoking/tear gas agents, and even fire-elemental-summoning-stones.

(Hellgate)

SPIN SCYTHECLE: A spin scythecle has blades on spinning wheels mounted low that can rotate out and cut everyone off at the knee. The gearworks are generally driven by weights on chains, and thus have limited runtimes, but more advanced versions can be powered by waterwheels, or have backuphampster-wheel power to extend runtime once activated.

WALLCRUSHER: The wardgate is a short corridor, and the sides are under pressure, often from counterbalanced gears and shafts. When closed, it is armed by the door being broken. Once armed, any pressure on the center of the corridor released the spiked walls. After the walls crush, they form two new narrower hallways, allowing counterattacks to be launched. Damage, area, escape difficulty all scale with level. Setting it off when disarming tends not to damage trapwright, but it’s loud as heck.

(Wallcrusher)

Chromatic Books of Horrors & Heroes Index

As I translate and post more excerpts from these amazing analects of creativity, I’ll post the links to the end of the first Horrors & Heroes post, so serve as an Index for all the Horrors & Heroes content.

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Obviously this kind of undertaking requires resources! If you wish to support me in developing “The Chromatic Books of Horrors & Heroes,” please join my Patreon, or drop a cup of support in my Ko-Fi.

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About Owen K.C. Stephens

Owen K.C. Stephens Owen Kirker Clifford Stephens is a full-time ttRPG Writer, designer, developer, publisher, and consultant. He's the publisher for Rogue Genius Games, and has served as the Starfinder Design Lead for Paizo Publishing, the Freeport and Pathfinder RPG developer for Green Ronin, a developer for Rite Publishing, and the Editor-in-Chief for Evil Genius Games. Owen has written game material for numerous other companies, including Wizards of the Coast, Kobold Press, White Wolf, Steve Jackson Games and Upper Deck. He also consults, freelances, and in the off season, sleeps. He has a Pateon which supports his online work. You can find it at https://www.patreon.com/OwenKCStephens

Posted on May 3, 2022, in Adventure Sketch, Appendix O, Game Design, Microsetting and tagged , , , , , . Bookmark the permalink. Leave a comment.

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