Category Archives: Adventure Sketch

The Bottomless Tombs, Area 2

You can find the introduction, map, and index of the Bottomless Tombs here!

Area 2: The First Passage

Thirty feet down the shaft is the first passage, off the south wall. When the heroes are free to pay attention to it (likely after killing the centipedes in Area 1, though who knows how PCs will react to a vertical battle?), and assuming they have a light or can see in the dark, read or paraphrase the following.

An opening in the southern wall reveals a small space, no more than five feet wide and six feet tall. A 1-foot ledge sticks out into the shaft forming a narrow balcony that is part of that space’s floor. The opening is no more than a large hole in the shaft’s wall, with a broken door sitting in a stone frame 5 feet in. The floor is littered with bits of broken pottery, wood, and dirt, and the walls are stained by dark splashes of color.

More than one adventuring party has left a guard here over the years, and just left their refuse behind. The stains can be identified with a DC 10 Knowledge (dungeonering), or (nature) check to be a mix of water stains from when rain gets into the holw and old ichor, maybe from large vermin.

If more than one Small or Medium creature tries to fit within the space, they must squeeze.

The door was once fine preserved wood and brass, but has long since been smashed in and the brass fittings and hinges removed. A careful examination allows a DC 15 Perception check to realize the door was not designed to ever be opened once it was closed, and it had a trap built into the wall, though it is also long since gone.

The doorway leads to a 10-foot-long, 5-foot wide corridor, which ends in a portcullis. Read or paraphrase the following:

A portcullis blocks passage any further south. Made of rusted iron, it runs the width of the corridor, and its spiked bards set into small holes in the floor. It is covered in worn runs, and shows obvious signs of having been battered and hammered on, and one bar is bent outward toward you, making a space roughly the size of a cat. Just past the portcullis is a cross-corridor, running east and west. A lever, also of rusted iron, sits in the wall of that corridor, currently in the ‘down’ position. A rotting bag of sand is attached to the leaver by a frayed rope.

If you lift the leaver, the portcullis goes up. The last group of adventurers here tied a sandbag to the lever so it would be pulled down after they left. There’s no easy way to use a rope or similar flexible device to pull up on the lever from the north side of the portcullis.

The portcullis can be lifted by a DC 24 Strength check (so an 18 Strength character can do it by taking 20, though this is loud and time consuming). A Small creature can get through the bent-out bars with a DC 18 Escape Artist check, though failure results in 1 hp of damage from jagged edges. The portcullis has 8 hardness and 30 hp per bar, so a group could just hammer on it and hope to break open a bigger hole.

A DC 15 Disable Device check allows a character to find a way to trigger the lever, and a DC 15 Engineering check can be used to rig a staff or similar device to flip the lever u by using the crossbars on the portcullis as a leverage point, though this also requires a successful DC 15 Strength check.

Developments: The louder the PCs are, the more likely it is they draw out something from Area 3.

Design Philosophy: It’s a dungeon, so it should reward people ready for traps and mechanisms… but also not prevent groups without such preparation from getting to the fun part if they work at it. So this has lots of solutions, and is mostly about the players deciding how they want to handle such things.
It also establishes that doors here may have traps, which will matter later, with being a gotcha moment for players.

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The Bottomless Tombs, Area 1

We introduced the Bottomless tombs, and their map on Monday, and discussed the staging area around them yesterday.

So, it’s time to head down the shaft!

Area 1: Entering the Shaft [CR 1]

If the players closely examine the shaft before heading down, read or paraphrase the following.

The sides of the shaft are worked stone, but show signs of considerable wear. In a few places, smooth, though cracked, finishing stone still lines the walls but most of that has long-since chipped away. Most of the shaft is cracked stones, and in many cases these have large cracks, through which thick roots and vines grow to choke the shaft, tangled around the wreckage of worn logs and rope rigging from one or more some kind apparatuses that has fallen into the shaft in recent years.

If the PCs have darkvision, or a directional lightsource (such as a bullseye lantern), or wait until the sun is directly overhead, add the following.

It’s impossible to see more than 35-40 feet down the shaft, but a dark shadow just short of the limit of that range suggests a side passage extends off the southern wall of the shaft.

The first side passage is 30 feet down on the southern wall of the shaft. The only way to get to it, is to climb (or fly, but mostly 1st level characters can’t do that).

Hazards: The Climb DC for this section of the shaft is 10 if a PC just tries to climb along the roots and wreckage. If a rope is added (perhaps anchored to the iron ring in the staging area), the Climb DC drops to 5. Characters can take 10 on this check as long as nothing is attacking them. (Yeah… wait for it)

If a character fails a check by 5 or more, they fall. Luckily, the shaft of the Bottomless Tomb is so checked with roots and detritus, they eventually land on something able to hold their weight. When a character falls, roll 2d6 – 1d6. This value is both the damage they take, and the number of 5-foot squares they fall before landing on something. Most of the damage is from bouncing off roots or falling through rotted wood or frayed ropes. A character can fall 55 feet and only take 11 points of damage because they never build up much momentum.

If the value of the roll is 0 or less, the character is caught within 1 foot by something, and takes no damage.

Foes: There are house centipedes living in the cracks in the walls of the top of the shaft. they pretty well ignore ropes, rocks, or other things being thrown in (unless someone things to dangle meat on a rope, in which case they come out and swarm up the rope to get at the PCs), but once a creature is 20 feet down, they crawl out to attack any potential meal.

If you want to make their attack dramatic, read or paraphrase the following:

A noise like sand trickling over tight leather slowly fills the shaft. Movement rustles roots and ropes, beginning at one of the walls. A long centipede crawls out, more that a foot from it’s clicking mandibles to the end of its 100-legged body, the length of a halfling’s arm! Two more follow it, their heads swinging back and forth as the crawl along the sides and bottoms of the detritus choking the shaft and scuttle toward you!

Three centipedes attack when the first character gets down 20 feet. They have climb speeds, so they easily reach any point in the shaft. They attack any adjacent creature, or if none is adjacent the last creature to attack them.

They have cover from anyone more than 10 feet away, due to how clogged the shaft is.

Remember that despite their massive strength penalties, they do at least 1 hp on a successful attack.

Developments: After 1d4+1 rounds, three more house centipedes attack having been drawn by the sounds of combat.

Design Philosophy: There’s a lot going on with this encounter.

First, if you manage at least a +0 Climb bonus you can safely move around until the centipedes attack, and if you thought to have a rope anyone with at least a +4 (likely including anyone with a rank and a class skill and light armor) still can’t fail. this rewards more mobile characters even at 1st level.

Second, it’s a high-tension fight over a bottomless pit… carefully set up so if you fall you get caught before you go too far.

Third, anyone with even one point of DR can largely ignore the centipedes.

Fourth, it’s a 6-foe fight, which rarely happens until much higher level.

Fifth, the cover means melee characters in the shaft have a real advantage over ranged characters. This may not be true for most of their adventuring career, but it’s nice to start things off rewarding the nimble rogue on a rope with a dagger in one hand.

Sixth… poison. Not too serious, but anyone with bonuses to saves against poison gets to benefit from that immediately.

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The Bottomless Tombs, Staging Area

We introduced the Bottomless tombs, and their map, yesterday.

Now, it’s time to get to some adventure!

The Top of the Tomb

The first issue is reaching the shaft, and examine the areas around it before the PCs even think of climbing down the the shaft into the tomb and reaching the first side-passage. As the PCs reach the top of the tomb shaft, read or paraphrase the following:

The top of the shaft is a square hole in the ground, roughly 15-feet to a side. Dirt, sod, and bits of refuse are piled up around the hole, and the shaft itself is choked with long tree roots, clumps of matted grass, and a tangle or what seem to be old and broken woodwork and rope rigging. It doesn’t look particularly stable, but it does offer numerous handholds. Light doesn’t penetrate more than 40-50 feet into the shaft, but there is certainly no sign of a bottom to it within that range.

An iron ring, showing just some signs of rust, is looped through a large wooden stake driven into the ground 5 feet to the north of the hole. Not far from that sits a well-defined fire pit, ringed in stones and filled with a dense layer of cold ash and charcoal. Bits of cloth, broken glass, chipped whetstones, and strips of rawhide are scattered about, more than half-buried in the grass. Old woven grass mats are laying on the ground in a semicircle around the firepit.

The firepit, mats, and refuse are the remains of numerous camps adventurers have made here over the past several decades, thought the gnomes who came through a few weeks ago didn’t use any of it.

Hazards: The mats are long-since riddled with lice, and anyone who sleeps on one must make a DC 10 Fortitude save or be at -1 to all Dexterity ability and skill checks from itching until they are deloused with a DC 10 Craft (alchemy) or Heal check. A DC 10 Survival check reveals the mats are infested, and can use smoke from a fire in the firepit to cleanse them.

Treasure: One sunrod, three pitons, a cold iron dagger, and 2 cp can be found with careful examination of the old campsite and refuse around the shaft. Each can be found with it’s own DC 10 Perception check, and an additional item found in one attempt for ever 5 the check exceeds that base DC.

Developments: Animals and outlaws both check this area from time to time, looking for food or valuables. They don’t make any dedicated searches, so any effort to bury or conceal items is successful. however, if tents, or mules, or food stores are left unattended and unguarded at the old campsite, there is a 1-in-12 chance each day that either a wolf of a brigand comes along and raids obvious materials.

Design Philosophy: It’s not that common for 1st level characters to get much use out of Survival (especially in dungeon-focused games), or from searching areas that aren’t obviously dangerous but that detail-oriented adventurers should want to check out.

This also already gives characters a reason to be happy to have an animal companion or basic hireling. If anyone (or, within limits, anything) watches their stuff they can safely use the old campsite as a base of operations. Neither wolves nor brigands will risk fighting for trail rations or spare blankets, though a guard left behind can let PCs know that someone has been prowling around after a week or more of time watching.

Low-level characters also often don’t get much benefit out of resistance to disease, or the ability to make basic alchemy and Heal checks. Lice isn;t life-threatening, but that’s the point,. Characters can begin to learn ways in which the game world is dangerous without risking having am arm drop off or becoming a mummy.

Not yet, anyway…

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Alcoholism, Therapy, & Gaming

My father was an alcoholic. He went to rehab, once, in the 1990s and toward the end of that process we had ‘family week,’ where the whole family came in for group therapy and counseling. So the other members of my family and I went, and spent a week there. It was a bit like summer camp, but the activities were figuring out how badly screwed up you were and crying instead of archery and canoeing.

While there for family week, I met a young woman who had been badly abused. I did not get, and if I am honest did not at the time want, any details of what she had been through. She was there for her own addiction. I either never knew what she was addicted to, or I have long since forgotten. She wasn’t in any of the group or therapy sessions I was in with my father and family.

She saw some of my RPG books I had brought with me, and was fascinated by them. She understood the concept immediately but, faced with multiple books of hundreds of pages each for just a few games (I know I had Rolemaster with me, I may have also had some D&D and Champions), she claimed that she “wasn’t smart enough” to play RPGs.

I assured her she was. I promised I could show her how the concept worked and we could play a game, with just a few of sentences of explanation, and three sentences of rules. She agreed.

“Tell me about your character.”

She loved rabbits. She wanted to know if she could be a rabbit, I told her she could be anything she wanted. She decided she was an anthropomorphic rabbit scavenger in a post-apocalyptic world who hunted (and killed) carnivores, and defended herbivores.

I gave her a 3×5 index card.

“Write down one thing you are good at.”

She wrote down she was good at creeping.

“Write down one thing you’re bad at.”

She wrote she was bad at keeping calm.

“Write down one important thing you have.”

I had meant one object she possessed. She wrote she had ‘limitless determination.’ This game was for her. I was not about to tell her she’d done it wrong. Limitless determination it was.

“Write down one thing you want to accomplish.”

She wanted to find a safe place to bring orphan bunnies.

I gave her a penny.

“I’ll describe situations, and you tell me what you want your character to do. For anything you try you flip a coin – your action succeeds on heads and fails on tails. If you try something you are good at or have an important thing for you get to flip twice and succeed if either is heads, while if it’s the thing you are bad at you have to flip twice and get heads for both to succeed. That’s it.”

She asked if, since she was a rabbit, she could succeed on tails, and fail on heads. That seemed super-obvious, and I agreed.

And so the “Hares & Holocausts” game was born. Getting to flip twice and winning if either was tails was a bonus. Having to flip twice and winning only if both were tails was a trial.

We played 3-4 times over that week, mostly at lunch and once one morning after breakfast. I borrowed heavily from Gamma World, Rock & Rule, Watership Down, and Seven Samurai. Her character never got a name, and she didn’t seem to care. I thought of her as “The Rabbit Without a Name,” who wore a poncho, and assumed the setting used an Ennio Morricone soundtrack.

Each scene was clearly defined as casual or dangerous. Casual scenes had no consequences. In a dangerous scene, there were normally 3 chances for her to take an action. Actions weren’t blow-by blow things like “I stab a scorpion bandit,” but more like “I attack the bandits, trying to drive them back out of the mine shaft.” One successful action out of the three was a draw–she ended up neither better off nor worse at the end of the scene. Two successes was a win. Three was a BIG win, and she got some kind of permanent improvement.

Zero successes was a failure.

If she failed at a scene, she took a wound which meant she had to either give up one of her bonuses until she healed, or write down a new trial (which she got to pick) as a scar she kept until she succeeded at a task using that trial. I remember she choose a scar at least once,  getting a cut through her left eye so she got the trial “Bad at seeing things to my left.”

She picked up a katana, with a BIG win, which she got as a bonus she could use once per combat, because I wanted to introduce the idea of equipment. She also gained a psychic mind-stare with a BIG win, which let her try to take out a foe before a scene began, with no penalty if she failed.

She crossed The Waste, and found a mine shaft, which had evil scorpion bandits in it. Driving them away, the mine shaft lead her to a valley with a ruined town which had some bunny orphans in it. She saved them from a spider sweat-shop owner (who forced the bunny orphans to weave designer webs for uptown spiders), then went to find them a safe home. That took her to an old observatory on top of a nearby mountain, where she had to convince the ancient security AI (that controlled a robotic sphinx guard) to allow the orphan bunnies to live there. She hunted down and imprisoned a skunk airship pirate who made clouds the observatory couldn’t see through, and promised shed talk the orphan bunnies into become astronomers, and the AI agreed to let them stay and protect them.

Then she took the stench-airship, and flew off. She wanted to find, and defeat, the Uptown Spiders who received the designer webs. End of campaign.

I did not realize for weeks that she never killed anyone. Drove off, defeated, jailed, convinced to change sides, yes. Never death.

She really seemed into it, and told me she would introduce that game to friends of hers. She still didn’t think she could play a “real” RPG. I tried to convince her there were lots of games, like there were lots of books and lots of movies, and all she needed was one that was a good fit for her. I was not convinced “Hares & Holocausts” could be played seriously, thought I didn’t tell her that.

I’m skipping over a lot of the weird, awkward, difficult parts of this experience. I was making it up as I went along, and it was not as polished as this short write-up makes it sound, especially for the first game or two. There were moments I was uncomfortable. There was at least one time she burst into tears. I used some Rolemaster critical hit tables for narrative inspiration once, and that was a big mistake on numerous levels. The councilors insisted all games take place in one of the public areas, and only between 7am and 6pm. No one else played with us.

At the end of my week, I gave her my contact info. She was going to be there for at least a few weeks longer. I did not ask for, and she did not offer, her contact information. I never heard from her.

I think that’s the only complete, totally original RPG I have ever designed by myself.

My father stayed sober for 90 days, because one of the councilors at rehab told him he couldn’t — that it would be impossible. Through sheer iron will, my father took not a single sip of alcohol for three months. They were a good time to know him. Then, convinced this meant he wasn’t an alcoholic, he drank himself to death over the next few years.

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Ungol

Ungol is the Accursed City, the Land of Maddened Death, and the location of the Skulmance.

It is a kingdom, a ruin, a demiplane, a demigod, and an artifact.

Ghouls live in Ungol, as do wererats, rakshasa, jackalweres, and hags.

It can be reached only through rituals, though some rituals once performed open a path on a regular, though often infrequent, basis. It opposed, and is opposed by, Valorgard.

Only pain and wickedness comes from Ungol, and to even know of it can give it power. Even its dust has power. So we do not speak of it.

But anything written of Ungol morphs and changes, until the writing spreads dangerous lies that benefit only Ungol. Only writing inked with the blood of an unwilling sapient creature, and scribed on pages made from another unwilling sapients skin, can hold unchanging words of Ungol.

So we also do not write of it.

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StarBarians: The Saturday Morning Campaign Hack

Welcome StarBarians! You are the heroic defenders of the world of Barbarth, the most important Science-Fantasy world in the universe! You must oppose Lichlor, the undead technomancer tyrant, and his hoard of villainous themed villains.

StarBarians is a silly, high-action campaign hack for the Starfinder Roleplaying Game.

Male Alien Thug-color

(All art by the spectacular Jacob Blackmon!)

Character creation:

You are 2nd level. You’re never going to gain any levels until the very last adventure (whenever the GM says that is), when you pop up to 4th and get a new costume! This is a fast and silly game, there’s no need to worry about things like experience points. Or continuity. Or whether your feet are in sync with the rate the ground is going by.

Before racial modifiers, your ability scores are one 18, one 16, one 14, one 12, one 10, and one 8. Alternatively you can have one 20, four 10s, and one 8, or three 14s and three 12s. Assign as desired, but if you have an 18 or 20 in any ability score, no one else should. Be adults, work it out.

You get all the benefits of any one suit of armor of your choice that is 3rd level or less. You aren’t WEARING that armor, of course. You’re a StarBarian! You run around in a fur loincloth or (for some reason) skintight Victorian suit. But you get the benefits. If you want an armor upgrade, pick it as an item below, and just strap it on. It’s fine. Jump jets over fur boots is perfect for StarBarians.

You get ONE item of your choice of 5th level or less. this is your THEMED ITEM. You can never lose it for longer than the duration of 1 fight. It should have a name. Lichlor and his minions will try to steal it periodically, They never succeed. This item can be a suit of armor if you like, in which case you get its benefits instead of your baseline 3rd level armor when you wear it.

You get THREE other items of your choice of 3rd level or less.

You get 9 other items of your choice of 1st level.

Female Alien Rogue-color

If you selected a ranged weapon, its item level is 2 lower. All weapons with usage above 1 never run out of ammo or batteries. All weapons and items with a usage of 1 or that are 1-shot count as 3 items, but are fully restored at the beginning of each game session.

Each game session you can use the StarBarian Power to do two spectacular things (two different things, one each). This is because you have a StarBarian Stone. Lichlor is always trying to steal StarBarian stones. He never succeeds, and you can’t lose yours. Ever.

Starbarian Powers are based on class, can be performed whenever an appropriate roll or even occurs, and take no time.

Envoy

Treat a failed Int/Wis/Cha skill or ability check as if you had rolled a 20 on your d20.

Allow an ally who failed any d20 roll or check to treat it as if they had rolled a 15 on their d20.

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Mechanic

Succeed at any one Engineering check

Drone: Allow your drone who failed any d20 roll or check to treat it as if they had rolled a 15 on their d20.

Exocortex: Treat any failed attack roll as if you had rolled a 15 on your d20.

Mystic

Treat any failed saving throw of yours as if you had rolled a 20 on your d20.

Restore yourself or one ally to full health, ending all conditions.

Operative

Treat a failed Str/Dec/Con skill or ability check as if you had rolled a 20 on your d20.

Force a foe who succeeded on any d20 roll or check to treat it as if they had rolled a 5 on their d20.

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Solarian

Take an extra round of action.

Solar Weapon: Treat any one solar weapon attack that failed as if it had automatically hit and done maximum damage. Apply any critical effect, though don’t double your damage.

Solar Armor: Negate all effects of any one successful attack against you.

Soldier

Treat any failed attack roll as if you had rolled a natural 20 on your d20.

Replace any one damage roll you make, or that is made against you, with either maximum or minimum damage (your choice)

Technomancer

Force a foe to treat any successful saving throw against an effect of yours as if they had rolled a 5 on their d20.

End any one magic or technological effect with a duration.

Villains

Lichlor is a 4th level Technomancer with a +2 bonus to every roll he makes. But he always does minimum damage, and the duration of all his effects is a maximum of 1d4 rounds. No matter how often you defeat him, he always escapes.

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His Themed Minions are CR 2 NPCs. They always escape between adventures.

FGG-WMD-color-01

Special Rules

No one ever dies. If you should have died, you are just unconscious.

PATREON
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Short Fiction: Weftwork

Vanre felt consciousness creep into her body like an unwelcome guest. She resisted the lure to open her eyes, or stretch her muscles, focusing instead on the warm, soft quilts piled above and below her… but to no avail. The very act of trying to find a way to stay asleep sent her mind racing through options, which inevitably meant she was awake now. Keeping her eyes closed was an act of rebellion rather than a viable tactic.

A soft scraping above her did cause her eyes to flutter open of their own volition, and her brain was immediately fully alert. Dim light leaked in through the shuttered window, casting dusky shadows across the wooden beams of her bedroom ceiling. The poor visibility was not, however, nearly enough to conceal the enormous arachnid clinging to the wooden boards above her.

Its body was more than a yard long, from it’s eight glossy black eyes and furred mandibles to the rainbow-striped abdomen. It’s eight legs spanned nearly the whole room, the longest set of fore-mid arms just inches from touching the ceiling’s corners ten feet apart. Most of the body was thickly furred, with only the orblike eyes, sharp fangs, and the leg’s numerous small claws at the tips and joints not covered in the bright pelt.

As Vanre’s eyes opened, the huge spider tilted, so it’s inhuman face lowered suddenly to be right over her head.

“Floor too cold again, Senneh?” Vanre asked with concern.

The spider’s shorter aft-mid legs dropped from the ceiling and waved meaningfully, the many clawtips forming precise, complex shapes.

Can you see me? The hand-sigils were fast and smooth, better than most webfolk Senneh’s age managed.

Vanre smiled. “I can hardly miss you, darling. You take up the whole ceiling. Just because my eyes can only look at one thing at a time doesn’t mean I’m blind to obvious things.”

I am never sure. There was none of the little wiggling clawtips that would suggest Senneh was joking. The floor was much too cold. Even with the old weavings you convinced the steward to give me, my joints ached. Water is becoming solid outside. Why do your kind live here? I liked our previous school much more.

Vanre sat up in bed, reaching up to rub Senneh’s face, enjoying how thick and soft the webfolk’s fur was.

“It’s a major port, nine months out of the year. And this is about as far south as the uriphants are willing to come. They don’t understand why we are willing to live places where water ever isn’t solid. Finding one place for all five civilized peoples to come together isn’t easy. Eleanear is about as good as it gets. And the Empire only allows one school for advanced magic.”

But it is COLD. Senneh used one of her fore-mid legs to repeat the last sigil, to give her complaint more emphasis.

Vanre stood, feeling the very chill air on her skin. She dared a very minor spell to freshen her skin, then began pulling on her uniform, hung neatly on a rack next to her bed.

“It is cold, sweetling. I’m sorry. If you want, you can just sleep in here until summer. We can even burn some charcoal in the brazier at night.”

You do not mind?

Vanre smiled. “Not at all. I don’t use the ceiling for anything.”

Vanre’s eyes drifted to her tiny desk, in the room’s corner, where an open book was covered in her own handwriting. The tight runs were interspersed with illustrations of webs, spinnerets, and weaving patterns.

Vanre’s smile grew. “Not yet, anyway.”

PATREON
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The Secret to Being a Good GM

First, note that I am a HUGE believer in playstyle being variable. I don’t think there is one BEST way to do almost anything in gaming. I often get annoyed if people are being too silly when I want a serious story… but that doesn’t mean I am right and they are wrong. Similarly if a group wants to focus on tactical miniatures combat using RPG rules, that’s fine, as long as they are all having a good time.

But for me, and the styles I engage in the most, this is the thing that I have done as a GM, and that GMs of mine have done, that has generated the most total fun.

Ready for the secret?

“Create the environment to tell the PCs’ stories.”

That’s it. … And that is a lot.

Anything I do — building memorable NPCs, adding GMPCs, worldbuilding, props, funny voices, creating a meta-plot, creating random encounters–it’s all designed to create an environment where players can build the story of their characters.

Yes, I want to have fun doing that. But I am specifically trying to tell HALF a story. I don’t want to write how the villain falls. I want to write how he rises, grows, becomes a threat… the players will write his downfall.

To me, this idea has two main corollaries.

First: Build the details in the places the players show interest.

Yes, it can be annoying if I mention there are two people in a bar (a mysterious cloaked figure with a circle of runes floating around her head, and a dirty pig-farmer), and the players only show interest in the boring one I *didn’t* build an adventure around.

But that’s okay. All my ideas connected to the circle or runes are still available. I just get there a different way, or table them until later. If the players want to know what’s up with the pig farmer, then THAT is the story they want, and I’ll give it to them.

What IS a pig farmer doing in the same bar as women with magic halo crowns? How can he afford a drink? Why isn’t he tending his pigs?

The answers to those questions can form the same story, or a new one. I’m even okay railroading PCs… as long as I build the track through the scenery they want to see.

Second: Give PCs opportunities to change, and be changed.

Gaining a flaming sword? Kinda cool, especially for some players. Gaining the ability to make any sword you use flaming because you saved a fire elemental envoy from being killed by evil water wizards and were named a Knight of Emblazoned Honor, a peer fo the Plane of Fire?

Awesome.

Of course, the player can turn that down. Or then seek out other elemental titles. Or embrace the idea of fire being their birthright.

On a smaller (lower-level) scale, let players save the owner of a tavern, and get free drinks. Be befriended by an entirely mundane mockingbird. Have one horse hate them. As with all elements of telling their story put out feelers, and build on what the players enjoy.

Look at their character histories for hints on this. A summoner who doesn’t know why they can summon a chickenlike outsider? Give hints to multiple potential answers, and see which ones they build on. A fighter who carried their grandfathers sword from the Otyugh Wars? Leave hints their grandfather did more than they ever let on… and the sword may have a destiny as well.

While non-item rewards are part of this, so it just giving the players a sense that their characters impact the world in ways large and small, and the world can impact them as they interact with it.

Don’t force change. But make it available.

While, of course, trying to give players more of the things they seem to enjoy, and less of the things they don’t.

It’s the most complex simple thing in the world. 🙂

PATREON
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Writing Basics: Tell Publishers Why They Should Care

I did a two part article on RPG pitches, but there is always going to be associated information I think of later.

Like this.

If you are trying to get a publisher (or developer, editor, producer–anyone who could pay you for words) to accept a pitch of yours, tell them why they should care about it.

Compare the following pitches for “State of the Union,” a hypothetical Starfinder adventure.

Pitch One

I’d love working with you, and would like to discuss with you the possibility of having you publish a Starfinder adventure I am working on called “State of the Union.” It is for 1st-level characters, and is set in the multi-species Student Union of a space-stations major university. What appears at first to just be normal academic pranks turns out to be  the cover for a major organized crime operation, and only the PCs can stop it!

The adventure would be 32 pages long, and I could have it completed in 3 months.

Pitch Two

I’d love working with you, and would like to discuss with you the possibility of having you publish a Starfinder adventure (designed to be released under the OGL and Starfinder Compatibility License) I am working on called “State of the Union.” It is a lighthearted adventure for 1st-level characters, and is set in the multi-species Student Union of a space-stations major university. The PCs uncover what what appears at first to just be normal academic pranks, but turns out to be  the cover for a major organized crime operation! No one else takes the threat seriously, lives are at stake, and only the PCs can stop it!

The adventure would be 32 pages long, have 2 pages worth of maps, and I could have it completed in 3 months. A full outline is available.

Pitch Three

Among the projects I think might be a good match for your company is a Starfinder adventure (designed to be released under the OGL and Starfinder Compatibility License) titled “State of the Union.” It is a lighthearted adventure for 1st-level characters, and is set in the multi-species Student Union of a space-stations major university. The PCs uncover what what appears at first to just be normal academic pranks, but turns out to be  the cover for a major organized crime operation! No one else takes the threat seriously, lives are at stake, and only the PCs can stop it!

I envision this as 32 pages long and needing 2 pages worth of maps, and I could have it completed in 3 months. A full outline is available. It could also be adjusted to be longer or shorter, to fit your production needs. The core of this adventure comes from my experiences as the manager for the parking garage of the University of Oklahoma Student Union in the 1990s. During my 20-years as an RPG designer I have considered designing it for d20 Modern and Star Wars Saga Edition, but what has always been missing before are elements now available with the Starfinder RPG.

Pitch Four

So, this one is special. It was written in response to this article by Steven Marsh.

If you want to learn about RPGs and how they work, you should already know who Steven Marsh is. If you don’t, go look him up. But the main thing is that he was editor of Pyramid Magazine for 18 YEARS!

Steven has seen more RPG pitches than I will in a lifetime. If you ignore everything I wrote here, PAY ATTENTION to his much-better version (reprinted with his kind permission).

.

Dear Editor,

I’ve reviewed your submission guidelines and hope you’ll consider a new entry for your line of adventures under the Starfinder Compatibility License.

THE PITCH: Intrigued by seemingly mundane academic pranks, the heroes soon discover these deeds are cover for a major organized crime operation. With no one else taking this life-and-death threat seriously and the clock ticking down, only the spacefarers can infiltrate the multi-species student union and save the day . . . hopefully before the evening’s Zero-G-Pong Charity Fundraiser!

SPECIFICS: This is a lighthearted scenario close in tone to your adventures “Toastmaster Emperor” and “Pair of Dice Lost.” Designed as a combat-light standalone adventure for 4-6 low-level heroes, it can also serve as a followup to “Toastmaster Emperor.” It’s outlined at 31 non-title pages: 6 pages of background, 20 pages of encounters centered around two locales, and 5 pages of new gear and adversaries. It requires 2 maps; I could provide basic InDesign or JPG files, which can either be used as is or form the basis for more “professional” efforts.

Thank you for your consideration, and I look forward to your thoughts!

The Takeaway

You CAN put in too much information, and Pitch Three is pushing what i consider to be the upper bounds. But letting a potential publisher know you have done your homework,  you have relevant real-world experience, and this isn’t your first rodeo are all useful additions to what you are pitching and why.

Waste Nothing

Also, as much as possible, reuse any work you have already done and still have the rights to (though clear that with your publisher, if it’s ever been seen by the public before) and write things you can use multiple ways.

For example, I WAS the manager of the OU Student Union parking garage in the 1990s, and I DO have an idea for an adventure called “State of the Union.” So, if a publisher asked me about this article, I could confirm those details.

(Though I DON’T have an outline. Yet…)

PATREON
If you get use out of or enjoy any of the content on this blog, please consider adding a drop of support through my Patreon campaign!

Comic Book/Superhero Ideas

Sometimes when looking to create superhero worlds or adventures, all you need is an idea to run with. It could be a jumping-off point, a villain, a dead hero to draw the protagonist’s interest… just something that feels like it comes from a comicbook sensibility but (and this is the hard part) without being a direct ripoff or sharing a name with any character from mainstream comics.

So, here are a bunch.

I can’t claim they are all entirely original–many are intentionally based on existing tropes–or even that the names aren’t used in any comic/supers stories. But I developed them independently of other sources, and casual searches didn’t show parallel development of note.

These are designed for you home games or to spark new ideas original to you (though if you have some potential commercial use, feel free to drop me a line).

Aberzombie & Glitch.
Annoying, immoral preppy necromancer and technomancer who manipulate magic they barely understand, while stylishly dressed. Note that being shallow doesn;t automatically make these villains. they could be the kind of allies you avoid… until you absolutely need their help. Or even neutral to greater conflicts, and just sometimes dragged in on one side or the other.

AK.
A heavy weapons vigilante, mercenary, or assassin who uses an AK.

Anti-Vaxx.
A villain. A terrorist who takes the unscientific belief that vaccines are dangerous and to be avoided to extremes by killing those who perform/promote vaccines, and tries to prove they are ineffectual by spreading deadly contagious diseases among vaccinated communities.

BustDown.
A woman with classic “brick” powers (high strength and resistance to damage) and no fucks to give about other people’s opinions. She could be a dauntless hero, a bitter villain, a self-interested mercenary, or anything in-between.

Cannon’s Fodder.
A penal superhero unit of convicted criminals who can cut time off their sentences by performing high-risk missions for the government. Run by Captain Cannon, a hardass patriotic supersolider with a cybergun arm who does as he is told and rules over the ‘Fodder’ with iron discipline.
The Fodder are run by the Combine, and operate out of a mobile secret base ship called The Trough. Cannon’s Fodder are often B- and C-grade villains (and occasionally antiheroes, vigilantes, and heroes who ended up on the wrong side of something), but are quite a dangerous force combined with the gear the Combine can arrange for them, and Cannon’s tactical acumen and willingness to sacrifice the lives of his Fodder if that’s the only way to get the mission done.
Thus while you can use noteworthy villains for your campaign’s Cannon’s Fodder, you can also just grab any terms or names you think of to be the “current” team, repurposing any write-ups you already have to represent the B List. (For example, the Feb 2019 team might include Bear Man, Deadnought, Killer Kaiman, Layaway, Punching Judy, Sister Sirocco, Spotlight, and Tigerdrake.)

Clutch.
A highly trained spy and combatant, who has luck that increases as the chance of failure goes up.

Colorguard.
A team of 5 teens who can transform into powered, color-coded versions of themselves. Anywhere from Power Rangers to Sailor Scouts. Could be heroes, villains, or just an annoyance.

Crunk.
A berserker who gains size, strength, and resilience (including to mental powers) as he becomes angry. Most likely an antihero.

Doctor Dank.
A rogue genius pharmacologist who gains massive psychic powers when high. could be an antihero, a villain, or just an unreliable hero.

Gat.
A pulp-era-style detective or hit man who is happy to pit his/her skills and a single common handgun (the “gat”) against whatever superpowers foes have.

Hardcore.
What if the Punisher had Batman’s training, resources, and skills?
That would be Hardcore.

Knacker.
The Knackerman, or Knacker, is a supernatural force who clears corpses from roadways and public spaces, and repurposes them as revenants. Usually the Knacker just gives abused animals a chance to return and punish their abusers, or sometimes save a beloved human in trouble. But sometimes Knacker brings back cars, or toys… or people.

Lag.
Can slow down anyone or anything, so all actions and reactions take longer.

Mr. Untouchable
A mastermind crime boss, who is known to also have powerful connections to legitimate political authorities such as mayors, judges, and law enforcement–though no one knows exactly what those connections are. the combination of ruthless underworld agents and corrupt politicians and agents and moles makes him (or her, regardless of the name), well, untouchable.

Obeastity.
A massively overweight werebear. Might be a cuddly hero, but might also be a bitter villain jaded from years of mockery and abuse.

Psychic Stripling Samurai Snakes.
Five sibling anthropomorphic snakes with mental powers and samurai training.
(Some of these ideas are less original than others.)

QED.
The world’s best detective, an unassuming pulp-era style investigator in a trench coat and fedora. QED can take apparently unrelated facts and use them to describe events that must have occurred to cause the known facts, thus revealing things that seemed unknown or unknowable.

Rick Rekt.
A feared, immortal assassin. When you truly need someone to suffer, you Get Rekt.

The Shark Brothers.
Card Shark, Loan Shark, and Pool Shark, three mobster brothers with bites that can sever gun barrels, each with their own specialty in crime.

The Skeptic.
The idea of someone who neutralizes mutant/metahuman powers is fairly common. This idea puts a slight spin on that, as someone who neutralizes all forms of magic.

The Relics.
A “family” of superbeings who are evolved and sentient magic items from mythology. Some, such as the swords Durandal, Gram, and Nothung, and the rings Andvarinaut and Draupnir, were forged directly by the sorcerer/smith Weyland while others, such as Fragarach, Mjolnir,  Nemean, and Tarnkappe, were reforged/rewoven by Weyland to grant them sapience, sentience, and human forms.
The Relics are reincarnated if slain, so while some have been active and alive for centuries, others are born as aparently normal humans, and then begin to gain powers of the reliquary nature sometime between their 12th and 18th years. Relics are not as a group entirely good or bad. Some, such as Durandal, appear to always be driven to work for justice. Others, such as Draupnir, seem to always seek power and wealth above all else.
And all sense that they exist to serve some great purpose in Weyland’s plans… which he refuses to talk about, though he calls them his “true children” and often aids them if they are in serious danger.

Wayland.
The ancient nordic sorcerer/smith of Germanic myth, though his origins are neolithic and he has survived to the modern era. Forged or reforged the Relics, causing them to be true living beings. Wayland is not evil, per se, and isn’t willing to see the world devastated, but his own plots and plans that take place over a scale of centuries, and mostly doesn’t care about “petty” issues like crime and justice.
Generally opposed by his equally immortal, but not quite as skilled, son Verlandsson, who mostly just hates his father and wants to stop the elder’s plans whatever they are, whatever the cost. Verlandsson is sometimes aided by his grandfather Vade, a giant and sorcerer/smith, who mostly just wants to be left alone.

WiFi.
Able to send and receive any broadcast signal. Makes an excellent “Overwatch/Quarterback/Ally in the chair” character, for good or ill, but could also be a badass in their own right with equipment and skills any superhero-level human can achieve, plus the WiFi power. Or, could have a swarm of drones. Or, all of the above.

Wolfshead.
In ancient Rome, someone who was banished from civilization was marked with the brand of the Wolf’s Head, meaning they could be hunted and killed as if a rogue wolf. One of those branded criminals turned it into a badge of honor, forming the Church of Crime and becoming the first popelike Wolfshead of All Crime.

PATREON
If you enjoy any of the content on this blog, please consider adding a drop of support through my Patreon campaign!