Category Archives: Adventure Sketch

Campaign Ideas Hanging Around

The proposed (and definitely never happening) Analemma Tower would make an awesome set up for any number of campaigns using Anachronistic Adventures or Starfinder. Here are some campaign ideas for a mobile city-sized building hanging down from an asteroid.

All Along the Watchtower: The U.N of 2075 can’t operate out of any one nation or building anymore. Diplomacy, military intervention, and trade all work better from mobile city-towers hanging from asteroids.

Ark V: After the Quantum Genegineering Wars, the ground level of the world became uninhabitable. At the small scale, mutant Morlocks and hunter-killer drones are contant random threats. At the large scale, the doomsday weapon biotank Kaiju are drawn to any major stationary power source.
There are still survivors scrabbling to survive in a ruined world, and super-science and relics to be dug out of cities overrun by horrors. but the only way to get to them is to wait for a period of low threat, then jump down from the roaming bastion of science and civilization that is Ark V, our last, best hope for survival.

High Ground: The evil supergenius Tex Tanner could have engaged in countless battles to overthrow nations, establish shadow governments, and defeat heroes like Anthem Lass and the Gargoyle. Instead he created one overwhelming show of his scientific brilliance and endless resources, the mobile space-anchored archaeology known as High Ground. From there he runs TannerCorp, literally above the laws of other nations.
Is he done now that he’s made his point, or is High Ground just step one/ As as an archaeology under his exclusive control, why is he hiring street-level heroes to police his private fiefdom?

The Sword of D.A.M.O.C.L.E.S: Aliens have conquered Earth for Earth’s own good. Mostly humanity is left to its own devices, but certain activities and experiments are forbidden. The Department of Alien-Mandated Oversight, Committee of Law Enforcement Systems are mostly humans, though a few alien races also work within it, and makes sure forbidden actions are not attempted. DAMOCLES operates out of the Sword, a hanging alien watchtower that orbits the Earth in a variable pattern to allow maximum command support of hot spots.

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Genre: DieselDada

I’ve never been particularly happy with the term “DieselPunk,” because it often seems to be missing any “punk.” You perfectly well CAN add the punk philosophy to a superscience 1920s-1950s setting, but most people who make a run at it don’t seem to. Mostly, they are just doing flavors of pulp.

Now, I like pulp. A lot. I have mostly squared that circle by calling my own setting Diesel Pulp, which I feel helps convey more of what I am going for. But I have always wondered what a real effort to inject punk into a diesel-driven superscience setting would look like. And, personally, I think it would be more interesting to look to the movements of the era, and inject a big dose of Dada into a diesel-drvien superscience setting.

DiselDada

Imagine a world where calculating machines, broadcast power, personal flight, giant robots, teleportation, selective breeding, talking animals, and all sorts of other marvels and terrors of science and knowledge exist… because of a war. where the world has all the tools to build paradise, but they were just used to slaughter millions as retaliation for a single assassination. Where some individuals have spent years as super-powered solo operatives, given permission to do anything for victory, and are no being told to take 9-to-5 jobs to make toasters.
In response to that insane circumstance, many of them rebel not just against the establishment, but against the very ideas of logic, money, society as a whole, and even rationality. Some wish to help in their own way, others use their vast sea of options to create nonsense acts even if that hurts others.
That diesel-driven super-science post-war setting of individuals rejecting modern society’s ideals and rules because following them lead to the Great War, which they see as the Great Horror, is DieselDada.

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Roller Dungeon

So here is the idea:

Dungeon speed runs as a team sport, on roller skates. “Roller Dungeon Team T-Shirts” optional, but the Absalom Abyssals Woman’s Speed Destruction Team is my favorite.

EVERYONE is on roller skates. Heroes, monsters, gelatinous cubes… everyone.

The Rules

Every PC must have half their levels in barbarian, brawler, cavalier, fighter, investigator, kineticist, monk, ninja, rogue, or slayer.

For these mandatory class levels, you get +4 skill points per level, and the Skating skill. Also, any class that has Ride replaces it with Skating.

Skating works like Ride, but your “mount” is a pair of skates that take your space. Anything you could do on a mount, you can instead do on skates. All skates have a 30 foot move rate and, like a mount, if you control your skates without taking an action, you get a full action.

Skates are never battle-trained mounts, unless you would get a mount as a class feature like cavaliers).

All dungeons should be 2 CR lower than the APL *your spellcaster assistance has been limited after all, and you are making speed runs).

You only get full XP and treasure for a combat or trap encounter if you finish it in 5 rounds or less. For every round more than that, you lose 25% of your XP and treasure. An encounter begins when you become aware of it, so scouting eats into your time. If you complete an encounter in less than 4 rounds, you get a 10% treasure bonus for each round less time you take.

It’s assumed you have an audience, so Performance combat is an option.

Combine with DungeonBall! or X-Crawl as desired.

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Worldbuilding Week: Merothian Emnities

We’re continuing Worldbuilding week with a look at who the Merothians as a group hate, and who hates them. they say you can judge people by their enemies, so this both helps form a background a player can draw from, and gives guidance for things like bane weapons and favored enemies. It also helps a GM know what to use for “Merothian” combat encounters.

We already did a brief history of Merothia here, discussed Merothian traits characters could take here, and looked a Merothian culture here.

Merothian Enmities

Merothia was once a powerful coalition of proud baronies, feared by its foes and respected by its allies. Free Knights were well-known champions of freedom and liberty, and honored in every city that looked toward the light.

Now, only dwarves still look at Merothia as anything other than a failed land, or at Merothians as anything other than peasants who proved they cannot manage (and do not deserve) self-rule.

Some Merothains are bitter about this. Others aren’t, but know that in lands outside their own they are likely to be seen as bumpkins, idiots, or worse small-minded villains who seek only to steal the silverware.

In the days of the High Barons of Morothia, the three great threats to peace were mountain giants, orc raiders, and the garm. The epic tails of clashed against these forces are still told around bowls of donnersop, and most of the few remaining relics of old Merothia are weapons carried into battle with names like Worlfsplitter or Jotunslayer. Orcs, in particular, often raided into once-peaceful Merothians settlements when the Baron Kings fell, and though that was generations ago the memory of the Merothians survivors runs deep.

Because of the constant wars with orc tribes, many Merothian communities dislike and mistrust orcs and half-orcs, especially those from the Raudak. Though the orcblooded people of the Raudak have no direct connection to the orcs who plundered Merothia at the end of the Age of Tyrants, the fact the Raudak hold many Merothian towns as protectorates and has entirely taken over the few major Merothian cities near it causes current-day Merothians to heap the hate and fear of ancient orc tribes onto the modern-day Raudaki.

Though the old Jotun mountain giants appear to be gone, their degenerate offspring the stone giants and hill giants now control much of the Basalt Mountains. Such giants can raid with impunity into some Merothians towns, and are a constant threat to others. The orc tribes that answer to them, and the orroc who share giant blood, are much more likely to be actually encountered but the distrust, fear and hate for all these groups runs deep.

As the Njor often raid down from the north and clear have some Jotun blood, most Merothians are suspicious of groups of Njor. However, the fact that Njor Giantslayers often travel into the central Basalt Mountains seeking to kill off specific storied villains of gaintkind cause many Merothians to appreciate the value of a friendly Njor. A single Njor, or a couple of Njor travelling with other races, are more likely to be viewed in friendly terms, at least until livestock begin to go missing.

Though true garm are extremely rare since the Age of Tyrants, their close cousins the worgs and winter wolves remain threats throughout Merothia. If anything these canine creatures hate Merothians even more than the Merothians hate them, and worg shamans often gather small warbands together during storm season to destroy as many Merothians villages as possible.

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Diesel Pulp: Fordlandia and the Argentinian Reich

Fordlandia and the Argentinian Reich

In my Diesel Pulp setting, Henry Ford is a full-on Nazi. Given his strongly antisemitic views, the damage he did spreading those views, and his company’s willingness to use slave labor in Germany, I don’t feel bad about this at all.

I also have Fordlandia being both hugely successful, and being in the state of Rio Grande do Sul, in far-southern Brazil. With so much technological effort being put toward compression gears, Cavorite, and other Martian-inspired technology, synthetic rubber does not develop, and rubber trees remain crucial right through the end of the Global War. With the British controlling most European-owned rubber plantations, and Japan being too far away for its holdings to make a good supplier for Germany, Fordlandia in southern Brazil is a crucial supply for the Nazi.

So, my setting assumed a Nazi-backed military coup takes control of Argentina early in the Global War, likely 1939, and quickly pressures Chile and Paraguay to join the South American “Argentinian Reich.” German-backed forces then strike into Brazil to cut off Rio Grande do Sul, taking both Fordlandia and Porto Alegre (the state’s capital and a major port). I feel a little bad about having these nations become Nazi allies… but given how long Argentina stayed neutral and that I am creating a new government backed by Nazis, I don’t feel too bad. And, any real-world historical group or figure in Argentina at the time that doesn’t deserve to be tarred with the broad brush can be added to the South American Resistance that pops up to oppose the Nazi-supported government.

This results in Brazilian and Mexican forces (with the aid of the US, economically at first with Lend-Lease, and then military assistance after 1941) fighting in South America against Argentinian Reich through the Global War. All other South and Central American Nations support the Allies against the Axis, at the minimum sending aid and in many cases (especially Bolivia, Peru, and Uruguay) troops.

I suspect this means no Brazilian Expeditionary Force, but since those troops are literally defending, and ultimately taking back, their homeland I don’t think that’s selling short Brazil’s contribution to the war. Similarly the Mexican Aztec Eagles and Fuerza Aerea Mexicana operations are going to stay closer to the continent, but remain heroically involved. The Pan-American Highway remains a high priority for the US and the Allies, and also gets pushed much closer to completion, though the route changes to more greatly favor Brazil.

A lot of this is, of course, ridiculous. But I like my Global War having actual fighting on every continent (sorry Australia), and like the idea of turning Fordlandia into a corporate-fascist autocratic city-state, as a place and idea for stories and events. And in a setting that assumes the War of the Worlds inspired walkers to be the main Diesel Age military technology and masked “irregulars” becoming common as military assets, I don’t mind some ridiculous alterations.

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Worldbuilding Week: Merothian Cultural Touchstones

We’re continuing Worldbuilding week with a look at little cultural notes or “touchstones” that GMs and players alike can use to build on Merothian themes. We already did a brief history of Merothia here, and discussed Merothian traits characters could take here. While the history was pure prose (with no rules to speak of, and the traits were solidly in the realm of rules (though with flavor text, of course), these cultural touchstones include elements of both.

Merothian Cultural Touchstones

There are some common elements of Merothains society that cross the boundary of a single village or group. Some are tied to specific rules elements, but others are just ideas a GM can hang a story or encounter on, of a player can use to craft a particularly “Merothian” background.

Arming Sword

The legendary Free Knights of Merothia carried a distinctive blade known as an “arming sword.” Similar to a longsword, an arming sword has a shorter handle with a cruciform hilt and a large lozenge-shaped pommel. Classically, Merothian knights carried an arming sword for use with shields, and had a greatsword for use in situations where heavier blows were required. This set them apart from most other sword-using elite warriors of the era, who carried bastard swords and adjusted their grip as needed.

Arming swords act like longswords with the following exceptions:
*A Medium arming sword deals 2d4 damage (and arming swords were not normally crafted in any other size)

*Because it is designed to work best with one hand, attacks using two hands with an arming sword suffer a -1 penalty to confirm critical threats.
*Because it is so well balanced and offers a firm grip with one-handed attacks, critical hits with an arming sword deal 2 additional point of damage (after all other calculations).

Community Granna and Granther

Generally every Merothian community has an elder woman and elder man respectfully known as “Granna” and “Ganther” respectively. These are often, but not always a married couple, and some communities have more than one of each (generally resulting in using the gran honorific as a title, such as “Granna Maeth” and “Granna Hilde”). They often act as receptacles of oral lore, teachers and babysitters of the very young, and impartial, unofficial arbitrators of minor community arguments. Though not officially in positions of rulership, these are seen as town elders, and are generally included in any community planning meeting to their opinion is heard (though traditionally they don’t then weigh in on the right course of action, just give historical context and opinions based on their own experiences).

For Merothians being a Granna or a Granther is not explicitly about age, which is why they don’t automatically accord the same title to any centuries-old dwarf or elf they encounter. Instead, Granna and Granther are revered because they continue to survive despite having love the vitality of their prime, and must know act with the knowledge they are closer to death and less able to save themselves. This distinction is well understood by most dwarves, but is often lost on elves of Te Astra and Te Essar.

Donnersop

Whenever anyone hunts, farms, butchers, kills, weaves, tans, or otherwise crafts or gathers materials, scraps are given to Granna and Granther. If the scraps are edible, they are generally turned into a soup by one of the these two elders. If they are a fabric or covering, they are sewn or weaved into a quilt or shawl. If they are wood, they carved into something useful, or if metal adapted to a new purpose with a stick and rawhide.

Granna and Granther uses these items for their own upkeep, but also give them out as needed to families having trouble, or call for an even where a segment of the community comes and enjoys these patched- and stewed- together offerings.

Both the tradition of given scraps, and the materials made from them, are known as donnersop, a uniquely Merothain word. When offered up to a segment of the community for communal enjoyment, this also becomes a time when tales are told, history recited, old songs sung, and initial long-term plans discussed.

While character’s can’t normally “buy” donnersop, they can receive goods worth 1-5 gp or less as donnersop if they seem sufficiently destitute, and worth aiding. Meanwhile a character who donates as little as 1 sp a week of material to a communities donnersop stores gains a +2 circumstance bonus to Diplomacy checks to gather information in that Merothian community.

Weapon Inscriptions

Merothians often inscribe letters onto their weapons, a practive that dates back to the Free Knights of Old Merothia. These are usually letters in Celestial, though older traditions use letters in Fey, that list just the first letter of several words that are a phrase or motto important to the weapon user. Many famously use CMAS which refers to the ancient knight’s cry corie meroth aeter sang, Celestial for “The Heart of Merothia Bleeds Eternally,” a promise that the Free Knights would suffer any hardship to fight for freedom and justice. Current Merothains often don’t speak either Celestial or Fey, and may ask am Abthanian priest or a druid to translate a phrase meaningful to the individual into letters.

Those familiar that own an heirloom arming sword with such an inscruiption consider it an object that must be maintained, and given to a family member who has proven the willingness and ability to use it. Since Merothians communities often can’t afford to make new swords, the inscription tradition has been extended to the more common axes, spears, bows, and knives poorer Merothians depend on to protect themselves.

While most inscriptions are not magical, for 15% above the normal cost of a scroll, a magical inscription that functions precisely like a scroll can be etched onto a weapon as an inscription. This is normally only done by Merothian spellcasters with strong ties to Old Merothia, most often druids, Abthanian priests, and witches.

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Encounter Environment: The Gravity Chamber

This week I saved all my creative energies for one big post, and TGIF!

(Seriously, I’ve sold pdfs shorter than this… )

The Gravity Chamber

The Gravity Chamber is an encounter environment idea. It’s a room in which gravity swaps one a round, every round, randomly and often with little warning. Down becomes up, and then the next round becomes down again. PCs must deal with being constantly slammed up and down, hopefully while you also add another encounter (like driders with boxes of caltrops and a cyclops alchemist) to keep thigns fresh and terrifying.

The Set Up

Have this be a big room, with a ceiling that’s 20 feet high, plus 10 feet per 5 full levels of the PCs. Also, describe the weird bloodstains, scattered gear, and broken crockery everywhere…

Once the PCs are all inside, something triggers the room. Maybe it’s an ancient eldritch trap that goesn;t go off until everyone is inside. Maybe it’s a malfunctioning antigrav drive with an AI that waits for all passengers to be aboard. Maybe it’s just bad timing. Maybe a super-powerful psychic child is sitting in the middle of the room waiting for her powers to kill her, and she throws a tantrum. Maybe there’s a big shiny button, and the fun starts when someone presses it. Your game, your call. This is just a tool in your toolbox.

Once it’s going, the Big Swap rolls initiative every round. Keep this secret. When it’s number comes up, down and up switch places.

If there’s an off switch, the PCs can try to reach it. If not, the effect likely lasts 10 rounds.

The Difficulty of Reverse Gravity

The difficulty of anything you attempt in the Gravity Chamber is modified by how much warning there is before gravity takes hold, and how suddenly it happens once the switch occurs. Those aren’t things that exist in real-world terms, so there can be as much or as little warning as you, the GM, want.
To keep things interesting, I recommend you make the Difficulty Value 1.5x the Average party Level of your group. When a calculation of a DC calls for a value of X + DV, this should keep things interesting for characters of any level. For example, if a wizard who is part of a 5th level group is flying in the gravity chamber, his Fly check have a DC of 22 (15 + a DV of 7.5, rounded down to 7).

You could of course decide that the gravity chamber is the most dangerous, most sudden, most unpredictable version possible, and make all the DV’s 30. But that’s not going to be much fun for 8th level characters.

If you want to use the gravity chamber more than once, you can actually vary the DV and give the players careful explanations. If they run into a gravity chamber at 5th level with a DV of 7, explain that there is some warning, a sense of tilting or a brief moment of weightlessness, before each gravity switch. If they run into another one at 8th level, rather than a DV of 12 (as the formula would suggest), perhaps it has a DV of only 5. Explain that there is a groan and a series of clicks before the gravity switch, and that gravity fades in and out, quickly but not with no warning. It’s actually easier than the first one they encountered (which also allows you to put a more dangerous complementary encounter in the chamber).

This, of course, sets them up for the extremely violent, no-warning gravity chamber they encounter at 10th level, with a DV of 20. One hopes by then the players have made some preparations for these types of encounters.

The Details

What happens when gravity reverses itself depends on what you were doing at the time.

Standing: If you are standing when gravity reverses itself, you are going to fall. The only question is, can you reduce the damage by “jumping” toward the new ground, flip midair, and land on your feet? That’s a DC 10 + DV check, rather than a flat DC 15. Also, since otherwise people are standing from prone every round, you may wish to give people a choice of reducing the damage by 10 feet 9and falling prone if they take any damage), or landing in a heroic 3-point stance, which means they take full damage but *aren’t* considered prone.

Deadpool would approve.

Flying: Flying characters don’t get a pass just because they aren’t touching the ground. Flying means you are pushing against “down” with some force to counteract gravity. Since you don’t know when gravity will reverse itself, there’s a definite risk that the force used to push against “down” will slam you into the new down when gravity flips. After all if it’s just 40 feet from one side to the other, at 1g it only takes about 1.5 seconds to fall that distance (ignoring things like wind drag), and if you are flying at the midpoint it’s less than 1 second.

When gravity reverses, anyone flying must make a Fly check with a DC of 15 + DV. The exception to this is flight with perfect maneuverability, which only needs to make a DC of 0 + DV. On a failed check you move a number of feet toward the new “down” equal to double the amount you missed the check by. If you move so far you hit the current “down,” you take following damage and are prone.

Climbing: Climbing the walls or trying to use the Climb skill to stick to the floor when it becomes the ceiling is tricky… but not impossible. Usually an “overhand with handholds and footholds only” is DC 30, which is pretty epic. But you could, of course, add actual rungs, loops, gnarly roots, or even netting strung across every surface. To make a Climb effort a viable option you may want to go with a DC of 20+ DV, and be liberal with bonuses for doing things like hammering in pitons or getting clever with an immovable rod.

If a character has a climb speed and can stick to a surface gecko-like, it’s MUCH easier to stay stuck to a surface when gravity reverses itself… but like flight it’s not automatic. DC 5 + DV.
If you fail a check by 1-4, you may choose to be staggered and immobile, but stay in your space (representing a death-grip to stay put), If you fail by 5 or more, or aren’t willing to be staggered, you fall and hit the new floor.

Landing: Things like wind drag, randomly pushing off other objects by accident, and gravity eddies mean you don’t land exactly above or below your starting point. If you succeed at an Acrobatics check as described above, pick a square either directly under you or adjacent to the one directly under you, and you land there. For any other result, roll 1d8 and 1d20. The 1d8 determines your direction of scatter, if any. If it and the d20 result in the same number, you land directly under your starting space. If the d8 result is smaller than the d20 result, you drift 5 feet in the direction indicated by the d8. If the d8 result is bigger than the d20 result, you drift ten feet in the direction indicated by the d8.

If two or more creatures end up in the same space, they all make grapple checks. The creature with the highest result is standing (and may shift one space if necessary). All others are prone. No one is actually grappling, that just represents the mad scrabble to end up on top as they are flung together.

Hazards

Remember I mentioned the driders you could add might have boxes of caltrops? This thing is a giant washing machine, and everything is being banged about. Each round, everyone must make a Reflex save with a DC of 5 + DV. On a success, you dodged all the debris. On a failure, you take damage equal to falling half the distance to the ground, as pebbles, old gear, and even small rodents slam into you.

You can also have small fields of caltrops, alchemists bombs, and angry hornet’s nests bouncing around, with people trying to avoid landing on them. Move these the same way you move creatures, but if they end up sharing a space, the creatures automatically slam into them.

Ouch.

Rewards

If you follow the guidelines given here, the Gravity Chamber is an encounter roughly the same CR as the party’s average level. If you add another encounter to it, boost that encounter’s CR by +2.

Of course being a higher CR encounter means more treasure… but what if everyone gains some special ability as a result to exposure to the strange gravatoinic radiation of the chamber? Perhaps everyone can feather fall once per day as a spell-like ability? And if they encounter a second chamber, maybe double exposure means they can each levitate once per day… and so on…

Or maybe they just get to gather up adamantine caltrops!

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Worldbuilding Tips: Divine Patrons of Crime

One fun way for a GM to bring a world to life in the minds of players is to introduce one or more really interesting criminal organizations. Whether they are an open

And ultimately if your organization is going to survive in a high fantasy setting, you likely need someone in your corner in the afterlife. A divine patron is a god that supports the criminal empire despite (or because of) its activities.

In many campaigns this is an evil or chaotic god with crime as a secondary concern, but things don’t have to be that simple. At the very least, it may be more fun to have most crime families be faithful to an evil or chaotic god, but allow one or two that instead revere a neutral or even good-aligned god who just happens to have a fringe of lawbreaking followers. In addition to deepening the sense that this is a thriving world (rather than a monolithic setting where all assassins worship the god of assassin, and I suppose all candlestick makers worship the god of wax), this also sets the PCs up to be more willing to work with the non-evil-deity-associated crime syndicate. “Sure, the Silent Sisters are thieves and blackmailers, but at least they follow a god that appreciates the skill of a job well done, and instructs them to keep their word. You can kinda trust them, unlike the Crimson Knives, who are devoted to murder and lies.”

When looking at domain options for a crime god beyond chaos and evil, trickery is an equally good, and actually has a thievery subdomain. The arson subdomain is perfect for groups that use fire to eliminate enemies… or turn a profit with insurance. The subdomain of espionage would also cover blackmailers and extorters.

It’s not difficult to go even further by one step. A god of with the industry subdomain might support hard-working criminals because they put in long hours and master their trade. A god with the traps subdomain might support them as people who revere and learn about traps, even if it is to bypass them. While a god of community might seem to be antithetical to a criminal organization, a true crime family might qualify as a community of its own, or a god with the cooperation subdomain might support the organized part of organized crime. Even a god of law might be the patron of a criminal empire, if the god is focused on the subdomain of tyranny, and the criminals ruthless in enforcement of their own code.

Nor does the god have to be primarily a god of crime. Imagine a neutral deity with community, trade, competition, language, and imagination. The god might be primarily a god of those who combine business, words, and creative solutions, such as actors, bards, crafting guilds, and teachers. But the same god might accept that if you think far enough outside the box, you end up outside the law as well. Crime exists no for crime’s sake, but to be a backdoor for trade where legitimate business fails, and an arena where fast-talk and quick thinking are put to the limit. Actors and other performers were often considered the same kind of lower class as thieves and frauds, so giving them all a common god helps establish a classic trope.

Not everyone in the organization may worship their divine patron, but most of the major local leaders do, and the rest know what priests they can and can’t go to for support, or at least sanctuary. And, of course, if the god has anything to do with luck, it’s likely worthwhile to make a gift to the church before a job. Sure, that’s divine extortion… but that’s the racket.

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Flumph Noir

Aberrant Report

It was a humid night, as Mhuoomphies forced air out his cloaca to hover pensively by the office window. It was the kind of night where a tentacle might be slick with something other than condensation.

His office was cluttered with images, each a fuzzy impression of a scene, projected from crystals floating apparently at random about the room. He reached out with a 7-tentacle, the scarred one, and spun one of the crystals. The out-fo-focus image spun with it, the psychic impression of a witness, able to be seen from any angle.

The witnesses all thought they knew what they had seen, but both the out-of-focus perfect psionic impressions and long experience told Mhuoomphies otherwise. Creatures thought their memories were perfect images, ingrained forever like stone carvings. But the mind of a sentient didn’t work that way. Emotions, distractions, preconceived notions, and bigotry flavored every thing every thinking creature remembered. In the flumph’s experience, many evils could be traced to different memories of the same events.

But there were hints of the truth in the memory-crystal’s images as well. Certainly SOMETHING had happened. The image of the adolescent iron-eater, rolled on her back, antennae straight in fear and shock, were similar in most of the images. Some showed her as larger or more aggressive, but metal-users usually despised and misunderstood iron-eaters. And even those who remembered the even as the adolescent’s fault remembered the position of her body, on it’s back, wing-tail raised in defense. They might think they remembered her being the attacker, but they were fooling themselves.

The true attacker was shown in fewer memories, and the image was much more indistinct. A red cloak was featured in more than half, but Mhuoomphies was suspicious of that. There had been a great deal of blood. Sentients often added red to a scene where blood has splashed like cheap ale.

The creature had been tall… maybe. Hunched… maybe. Neither detail was shown in monroe than a quarter of the memory images. And one, just one, showed an arm made of a swarm of roaches jutting out from a crimson robe, rather than a cloak.

That memory was alone in that detail, but it was otherwise so crisp. And it made Mhouoomphies port outages nozzle whistle a low, sad sound. He has never hoped so strongly for a witness to be unreliable.

Because the young iron-eater had been killed, and he hoped it was a simple hate crime, or a political gambit to convince the iron-eaters to continue to mine for a smaller share of the ferrous metals they unearthed. Those were terrible reasons to kill, but there weren’t any good reasons. The young iron-eater was dead, and the clumpy couldn’t change that. If the reason for her death was simple, he could gain justice quickly. He would have no living help.

When an aberrant race died, none of the breathing Lamplighters took it seriously. Aboleth crime lords and cloaked gangs had eroded any goodwill bipedal vertebrates felt for all his kind. And even those who wanted to care had too many other crimes on their plate. Only Mhuoomphies had the time, and only he was trusted by anyone in the Aberrant communities.

And with iron-eaters on strike, and the dark naga pressing for full voting rights, this needed to get handled fast. Even the Metalhearts might decide…

The flumph’s office door burst opened, the brief scream of its metal lock bending and shattering the only warning before it gave way. A lurking metallic humanoid stood in the doorway, a bullseye lantern in its chest leaking light through the cracks, despite being shuttered.

“You are the Aberrant Lamplighter, Muffles?”

Two of the flumph’s starboard vents honked quietly in annoyance. He pursed his feedhole, and forced air through it to emulate the annoying, imperfect language of the bipeds. He also pooled caustics into his adamantine-tipped primespike, in case the creature was hostile, rather than just dangerously bumbling.

“Mhuoomphies. ArchLantern, Mhuoomphies.”

The metallic creature nodded once.

“I am Malakrut. I am a fresh forged Spark. The LawKeepers have assigned me to assist and monitor your efforts to enforce the laws of DarkStar Station, in the matter of a slain iron-eater in the abnormals district.”

Mhuoomphies felt himself relax, and sucked his caustics back into their reservoir. Of course he would be saddled with a rookie to report his every misstep.

It was Inevitable.

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Additional Snow Rules

While snow is covered in Chapter Thirteen: Environment of the pathfinder Roleplaying game Core Rulebook, there are some additional rules I’d personally use if snow is a major element for a specific adventure, but not a common part of a campaign overall.

Adaptation: Creatures with both the cold subtype and native to a cold environment, and those with the cold subtype and a natural climb speed, ignore all rules to perception, getting lost, and movement from snow.

Light snowfall: Very light snowfall produces less than an inch of snow per day. It does not impact visibility or flames. It actually gives a +4 bonus to Survival checks to track anyone who has passed by since the snowfall stopped, since their prints are outlined.

Snowfall: Normal snowfall reduced visibility enough that a character may get lost in the wilds when it is snowing this hard. See Getting Lost, in the Wilderness section of Chapter Thirteen: Environment. If there is an additional effect in addition to the snow that might cause characters to get lost, any Survival check to avoid getting lost takes a -4 penalty.

Heavy Snowfall: When it is snowing this hard, a character can get lost outside even within an urban environment, but may make a Knowledge (local) check rather than a Survival check to avoid this. Also, a character in a wilds environment takes a -4 penalty to a Survival check to avoid getting lost. If there is an additional effect in addition to the snow that might cause characters to get lost, any Survival check to avoid getting lost takes a -4 penalty. See Getting Lost, in the Wilderness section of Chapter Thirteen: Environment.

Heavy snowstorms and blizzards also reduce the effectiveness of fire attacks. Creatures vulnerable to fire do not take additional fire damage if they are in a heavy snowstorm or blizzard.

Whiteout: The most powerful of blizzards cause whiteout conditions. This grants everything more than 5 feet away total concealment (even from sound-based blindsight and blindsense), and anything close standard concealment. Check to avoid getting lost take a -20 penalty, and must be made every 10 minutes. Whiteout conditions last from a few minutes to a few hours, and can drop 1d4 feet of snow per hour.

If a character is in snow deeper than they are tall, this is similar to being stuck in an avalanche. Buried characters take 1d6 points of nonlethal cold damage per hour, in addition to any cold hazard. If a buried character falls unconscious, he must make a DC 15 Constitution check or take 1d6 points of lethal damage every ten minutes thereafter until freed or dead. See Cave-Ins and Collapses for rules on digging out buried creatures.

Snow Creatures

You can turn any creature into a snow creature by giving it the cold subtype, moving it to a cold terrain, and giving it a climb speed equal to 1/2 its movement rate. While the CR of a cold creature it not increased in general, an encounter with one or more cold creatures in a snowstorm or blizzard has an ad hoc +1 CR adjustment.

For example, the Blue Orrocs of the northern Basalt Mountains are famed for their dark blue-to-purple coloration and their raids made into the lowlands during blizzards and winter storms.

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