Category Archives: Anachronistic Adventurers

What The Heck is “ShadowFinders?”

So, I happened to mention a “ShadowFinders” campaign on social media a few times in the past few weeks, leading a number of people to ask “What the heck is ShadowFinders, and when does it come out?”

Cyberpunk katana

And now I’ll have a place to point them to, at least for the moment. And the answers are… “A theoretical modern Pathfinder campaign I have been noodling and, as far as I know, never.”

I know, not very satisfying.

The thing it, I already have TWO campaign settings mulling about that I work on when I get what I laughingly refer to as “Space Time.” I’ve been working on-and-off on the Really Wild West (a campaign hack for Starfinder), and more recently Sorcerers & Speakeasies (a campaign setting for 5e). Those are both mix-modern-and-fantasy settings, with Really Wild West having a great deal more material done for it (having begun working on it more than 2 years ago), and Sorcerers & Speakeasies currently having an actual for-sale product currently being designed by a freelancer.

So, clearly, I already have my hands full with modern fantasy pastiche ideas for two game systems that I don;t have time to move forward at full speed as it is. So why would I add another?

To some extend, I can’t help it.

I didn’t become an RPG game designer because that was my life goal. I slid into it sideways, by loving games (especially RPGs), and making up stuff for my own home games (mostly RPGs), and wanting to turn my hobby into a revenue-neutral pastime that paid for itself. (You can read more detailed accounts of my nearly-accidental entry into my 20+ year RPG design career at “From the Freelancing Frontline,” in a series of articles at EN World.)

And, it’s still one of my primary hobbies. Which means, I am still having ideas about things I’d like to run as games, or add to games, or even play in games. Now, a lot of that content ends up in products I write or develop–I find it easiest to work on a game system if I am playing that system. (I know some rpg designers prefer not to be frequently playing the game they are working on, and given how great many of those designers are I have to say that works for them. I don’t think it would work well for me.)

But a lot of it DOESN’T end up in my professional writing. Now, some of that is for legal reasons (yes I have thoughts on Jedi in Starfinder, but unless I create a totally different Owen-as-fan-only space, I’m never going to share them). Some of it is because it’s material I’d only want to use in a context where I knew the people involved and could tailor it to match their preferences and playstyles. But some of it is just because there hasn’t been a good match yet, and/or because I haven’t had the time.

And that last category is the weird limbo where ShadowFinders exists.

Cyberpunk Gun

I have several solid ideas for ShadowFinders, as a modern supplement for Pathfinder 2nd Edition. Essentially a smaller stand-alone hardback book that is a complete RPG and 100% compatible with the Core Rulebook, but focuses on a modern, urban fantasy game. I have ideas on how I’d save space (many fewer ancestries and classes, likely only occult and primal magic), how to link it to existing cosmology (some primal magic comes from Egypt, which once had strange portals to another Egypt-like land in another world, but most magic is occult material that entered the world in through strange events involving Rasputin), and how it would work with the existing rules (as a modern supplement, with material you could use in a 100% fantasy setting, or could add to a fantasy setting that happened to already have alien spaceships and guns in it in limited locations).

But that approach works best if it’s a book Paizo publishes… and that is both unlikely (I have some idea how hard it is for Paizo to manage to both maintain its currently offers AND produce a new core rulebook with a new setting), and if it did happen would  most likely not involve me in any major capacity. I have thoughts on that too, of course (involving Paizo deciding to outsource creation of a SahdowFinders rpg to keep costs and down and experiment with freelance production and development), but that’s not particularly likely either. (Never say never, but be realistic with your planning.)

So, that leaves me with a name and idea I like but that would work best in production circumstances that aren’t going to happen soon if ever, no spare time, two more similar projects already further along… and tons of ideas for a thing I can’t take time to move forward on right now.

So is ShadowFinders dead? No, definitely not. But it is in a holding pattern, neither being given up on nor getting any resources to speak of at the moment. One of the few things I know is that I never know what I’ll be working on in 3 years, and often have no idea what I’ll be working on in 1 year.

It PROBABLY won’t be any version of ShadowFinders…

Cyberpunk Butterfly

Unless, of course, it gets a huge positive response from a Patreon crowd that grows large enough to support even more of my time going to working on such things. 🙂

Sorcerers & Speakeasies Part 3 (Religions)

We’ve talked about doing the 1920s Magic and Mobsters campaign, “Sorcerers and Speakeasies” in general terms, and  talked a bit about Backgrounds, and even talked a bit about our plans on the BAMF podcast.

A common question that has come up during these discussions is: What do you plan to do about religion?

It’s a common question anytime you add fantastic elements to a setting rooted in real-world history. There are numerous potential issues when you look to grant traditional D&D-like divine powers to real-world religions. These problems are magnified if you don’t do tons and tons of research. Should you treat Christians differently than Hindus? Is Zues still worshipped? Are their fantasy gods, like Karracker? If monotheist religions can talk to God, does that prove polytheists are wrong?

So, Sorcerers and Speakeasies is leaning toward avoiding a lot of those questions, and focusing instead on religios themes. Players and GMs can do whatever they and their group are comfortable with those themes.

First and foremost, gods (and God) don’t talk to people in Sorcerers and Speakeasies.

Outsiders do… but all admit they can’t discuss (or don’t know) the reality of gods. Angelic and fiendish creatures themselves follow various religions, or at least seem to, but in general state they support those mortals that support their own areas of concern, often as indicated through Aspects (see below).

Cleric: Three Callings
Gods aren’t as directly communicative in 1920 as they seemed to be in Ancient times. Rather than the focused power of a divine domain, S&S clerics are generally following a calling that motivates them to live spiritual lives in very specific ways.
Calling of Ordination – Member of a specific holy order, though that may be a Buddhist nun, Catholic priest, Presbyterian pastor, semicha lerabanim, or any other organized group that have common rules, training, and requirements to join.
Calling of Preachers – You have been called to preach. Perhaps in a church, perhaps under a tent, or perhaps on a street corner.
Calling of Witness – You don’t just have faith, you demonstrate it by doing something dangerous as proof your faith protects you. Among the most famous of these are scorpion-dancers, who handle deadly scorpions as proof they have divine protection.

Sixteen Domains
Certainly there’s nothing wrong with the domains in the Player’s handbook–if you want to play a cleric of the Knowledge domain, feel free. But most Sorcerers and Speakeasies clerics, and divine characters and NPCs in general, are built around one of sixteen Aspects, each of which has a domain.

These are build off concepts often seen as “sins” and “virtues,” and eight of each have angels and fiends empowered by them, but the aspects are not alignment-locked. While there are demons of Pride, it is possible to have a good-aligned cleric of Pride who embodied taking pride in your work and avoiding false modesty. Similarly someone who believes in killing those who are not generous enough would be an evil figure of Generosity).

Angelic Aspects: Courage, Diligence, Generosity, Gratitude, Humility, Justice, Patience, Prudence

Fiendish Aspects: Cowardice, Envy, Gluttony, Greed, Lust, Pride, Sloth, Wrath

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Sorcerers & Speakeasies (Part 2: Backgrounds)

Okay… so maybe I now AM working on a Sorcerers and Speakeasies 5e supplement. Mostly, I’m having someone else work on it right now, while I just offer outlines and notes. But since it’s on my mind, and I need content for my blog anyway, here are some more thoughts.

Given that 5e is a robust, flexible, well-supported game system we need to ask ourselves: what do characters really need to fit in to our 1920s setting? Equipment, obviously. Since we are sticking with the normal species there’s no need for change there. We’ll make adjustments to the classes, but only as needed. Maybe a few spells to augment the feel of the setting (Tannison’s Terrible Tommygun, anyone?) But there’s actually not a ton of hard rules changes needed.

That brings us to backgrounds.

Many of the backgrounds in 5e conceptually work fine for our 1920s “Djinn and Tonic” campaign. We’d need to update available equipment, including for each background, but we can do that easily (once we have an equipment list… so this is something I have an excellent freelancer working on right now). Similarly we’d want a conversation about languages (do we have all the 5e languages and all the real-world languages? Do we decide German is elven, so Netherlandic is drow, West Scandinavian is old fae, and so on?), but once that’s settled languages are easy. The personality traits, ideals, bonds, and flaws generally work fine (I think we can trust players to update any anachronistic terms to 1920s-appropriate equivalents).

Beyond that, looking at the PHB, Acolyte, Charlatan, Criminal, Entertainer, Sage, Sailor, and Urchin all work pretty well as-is. Some context might be worth adding, but each of those backgrounds can easily be adapted to Sorcerers & Speakeasies with a small entry that gives an update to equipment and maybe proficiencies, and a short description of any conceptual tweaks that need to be mentioned.

We might want to do just a bit more work for Folk Hero, Guild Artisan, Hermit, Noble, and Outlander. The core of those work fine, but the details might need a tad more adjustment. Luckily, the concept of Variant backgrounds can handle that just fine. Local Favorite is an easy variant for Folk Hero, Union Member for Guild Artisan, Dedicated Academic for Hermit, Upper Class Scion for Noble, and possibly WWI Veteran for Outlander.

It could be worth doing a few more variant for the backgrounds that already work well too, just for specific flavor. Gambler is an easy variant for Charlatan, Gangster for Criminal, Scientist for Sage, and so on.

Now that doesn’t mean we may not want to add some new backgrounds as well. Journalist comes to mind as a common 1920s trope worth supporting on its own, and maybe Masked Vigilante if we want specific support for it. Copper, Detective, Driver, Engineer, Pilot, Smuggler, Rum-Runner… there’s tons of fun stuff we can do if we want to. In each case we should ask if it needs it’s own background (if we do Smuggler, Rum-Runner is a pretty obvious variant–same with Copper and Detective or Diver and Pilot). Dilettante could be a variant of Noble, but maybe Dandy/Flapper deserves its own? We can touch on things like Made a Deal at the Crossroads (if we don’t borrow the idea for the Warlock), or Blasted By Lovecraftian Horror if we want to support more mystic backgrounds in keeping with our magic-and-machines.

We don’t want to get TOO specific. I suspect we want Archaeologists as a form of Sage or Hermit, and Banker/Grocer/Typewriter Repair Man are likely just suggestions for some kind of Crafter or the Guild Artisan. We should think hard about whether Spy, Photographer, Athlete/Sports Star, Student, and the dozen more than come to mind are really worth having their own entries at all, but certainly some will.

A LOT of character flavor can come from backgrounds, so we’d want to think about if we want to make any variants just for that reason.

For example, look at the Entertainer background. It has 10 Entertainer Routines listed. There’s nothing wrong with being an actor, dancer, or juggler, but “jester” doesn’t speak to the 1920s. Let’s look at what a revised table might look like.

Entertainer Routines

Pick 1-3 routines, or roll a d10 to pick them randomly.

  1. Stage actor
  2. Dancer
  3. Carnival barker
  4. Clown
  5. Juggler
  6. Jazz instrumentalist
  7. Big Band instrumentalist
  8. Singer
  9. Radio actor
  10. Ventriloquist

That doesn’t change the game rules at all, but it does feel very much more grounded in the culture of the Roaring 20s.

This also means a Backgrounds chapter of a Sorcerers and Speakeasies game could contain a lot of flavor without loading down players or the GM with a lot of specialized rules. If we want to sneak in references to Adventurer’s Inc., Hexers, Grendels, and Taxi Heroes, we can put all that into Backgrounds just to help flesh out the world.

Speaking of helping:

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Today’s post only happened because I was able to turn down some small freelance projects, giving me spare time to consider these questions, and replace the income those would have brought in with money from my Patreon. Even just the price of a cup of coffee each month makes a big difference in how much content I can put out on my blog!

5e Campaign Settings the Easy Way (Sorcerers & Speakeasies)

As is so often the case for me, as I specifically set myself up for a massive workload (I am currently sitting at 223 different project deadlines due sometime in 2020), my muse is hammering me hard with ideas for a project that ISN’T on that list.

That, combined with the fact I’m still in Seattle having been flown out for some meetings at OrcaCon, means I am going to punt the next d20 Class Design Diary post (which has had Part 2 and Part 3 in recent weeks) by another week.

But we are going to tackle a related topic! I take a look at some campaign building/class expansion ideas to match new campaign options for 5e, based on the ideas that have been Muse-shoved into my brain recently. So, what project does my muse have me thinking about, that so far is NOT on my list of things to get to anytime soon?

Sorcerers & Speakeasies

“It’s the Raging 20s. Magic elixirs and booze are illegal. Monsters are rampant. Adventure is everywhere!”

There are lots of ways I could proceed about making a magic-and-machine-guns setting based on Prohibition era America, ranging from making a brand new RPG ruleset, to a full game system hack (such as I have been working on for Really Wild West). But its also possible to design it as just a set of bolted-on extras for an existing game system that does most of what we need. The current edition of 5e is flexible and open-ended enough that it could cover a lot of what a Sorcerers & Speakeasies game would need. Some worldbuilding would be necessary of course, and 1920s equipment would have to be designed and added, but that’s easy compared to reskinning a whole game or creating one from scratch.

Since the main way players interact with a game world is through character classes, that’s a great place to start when looking at creating a campaign setting for a new ruleset. When discussing using 5e classes in a Paladins-And-Prohibition game, there are two routes we could take. We could create new 5e classes whole cloth to fill all the roles we need, or we could just add new specializations to each class to give them a 1920s moonshiners and monsters feel. That’s a good deal less work, and in some ways more flexible since it means any other material designed for those classes can be easily added to our Sorcerers & Speakeasies (S&S) game.

Of course some people might not consider all the 5e classes to be good matches for a 1920s-era setting, even one that adds dwarves, gnomes, and spellcasting. For example, players with visions of barbarians exclusively as nordic vikings, Conan-like Hyperboreans, and savage jungle princesses may have trouble seeing how the class works in a game that runs from Uptown Citadels and Theater Street all the way down to the Undertown and Gearling Park.

But that’s why our new specializations need to be flavorful and thematically appropriate both to the core of the class, and to some 1920s hero/villain trope. For example, if I was going to do S&S as a simple 5e bolt-on, I’d start with something like this.

Barbarian: Three new Primal Paths
Boondock – You grew up in a remote rural location, commonly mountain country or midwestern farmland, in an area with extensive and extreme poverty. You may have learned to survive just on woodcraft and farming, or you might have gotten a hard manual labor job such as miner, oil field worker, or logger. You might fit the stereotype of being an uneducated overall-wearing moonshiner and pistol-popper… or you might have depths city-slickers neither expect nor appreciate. You may or may not not be quick to anger, but your hillfolk roots give you access to a pool of simple, potent wrath you can tap when you have had enough.
Grinder – When there is dirty, hard, unpleasant work to be done, people look at you. Your best prospects are often acting as a second-tier knee-breaker, not trusted to plan anything complicated but an expert at mayhem when the the plan falls part. Some grinders make an honest living, as boxers, wrestlers, pig-chuckers, or circus strongmen, but your strength and durability often draw the attention of people who think they have more violent uses for your talents.
Jitney – People are shocked at how big you are, and how much hardship you can shrug off. They may call you “built like a cement truck,” a “brickhouse,” or a “palooka,” but the sentiment is the same regardless of the term — you are made of shoeleather and axehandles, and your durability seems unearthly. It’s fairly common for those who don’t know you to assume your mass and density mean you are dim-witted as well, though being underestimated in that way can play in your favor.

Yes, I’d need game mechanics to make those paths complete, but my starting point for adding specialties to 5e to give a 1920s magic adventure feel is very much conceptual. Taking this exploration of ideas a bit further, here are some other potential directions to take 5e classes that might otherwise feel very disconnected from the modern world of a 1920s campaign. These are just sketches of ideas, starting points I’d build out from if I was spending more time on this.

OwenPulpFantasy-ElfSinger-01

Bard: Three Circuits
There’s a good chance your S&S bard has a bit more experience singing for his dinner, and a little less formal training, than a bard with a “college.” In place of colleges, an S&S bard can select a Circuit, reflecting the types of places where they are most likely to have gotten paying gigs.
Busker’s Circuit – You might not still mostly be performing on the streets hoping for spare change to make a living, but you’ve done it enough to know the ins and outs, and how life on the street works.
Club Circuit – There are a lot of houses of entertainment these days, and you’ve learned to get booked, make a living on the gigs, and work contacts bot for your career, and to arrange for anything else you might need.
Vaudeville Circuit – You’ve done a little of a lot of different things to fit in to the vaudevillian life, and may be able to sing a bit, dance a bit, do a few card tricks, throw your voice, tell some jokes, throw your voice, or a dozen other little performances.

Druid: Three Habitats
There isn’t any one universal druid circle in the 1920s. There are numerous groups and religions that work with or include druids along with many other characters, but what most distinguishes one druid from another in Sorcery & Speakeasies is the habitat of creatures they focus on and feel a connection with.
Alley Habitat – You are closely connected to the creatures that share urban living spaces, from pigeons and rats, to feral cats and dogs, and sometimes even roaches.
Domestic Habitat – Civilization has been working with animals, as guards, allies, mounts, producers, and just food, for thousands of years. You are most strongly connected to animals that share citizens lives, be those cattle, horses, guard dogs, housecats, hunting birds, or circus elephants.
Wilds Habitat – There’s still a lot of wilderness out there, from back roads to mountain hollows and unspoiled woodlands. You prefer to connect with the creatures of these

Step 0 – A Feel for the World

This project didn’t begin as a thought experiment into how to adapt 5e classes. It began with a wild notion for what kind of slang might exist in a Fantasy Roaring 20s campaign, and how such slang might help define a world and inspire adventures within it. I’ve posted all this to my Facebook page at random times over the past couple of months, but it seems worthwhile to offer it all in one compiled for here.

Sorcerers & Speakeasies Slang

Adventure, Inc.: Adventure, Inc. is a semi-formal network of taxi drivers, trash collectors, diners, phone operators, street workers, milkmen, bus drivers, mechanics ,and similar folk who work to get information about “grendles” to people who might do something about them.
Babylon Phonebook: Spellbook, especially one focusing on summoning things.
Button Troll: Any monster paid to act as a guard, thug, or legbreaker, normally by organized crime figures.
Calico: A woman who has rural hedge-wizard, witchcraft or shamanistic powers, but also acts as an urban employee, guide, or even boss.
Cement Cloak: A magic item designed to get the user killed. Sometimes used to refer to any method of assassination.
Cleaver Squad: Group willing and able to engage in violence using primarily melee weapons, especially those adapted from tools. “The merchants of Unstreet, from the Gutters to Old Fane, can call up a pretty big Cleaver Squad.”
Copper Shield: A system protecting police and other government enforcers *and* their agents and informers from the consequences of their own actions as long as they remain useful to the government higher-ups. “He’s crooked, but he’s behind the copper shield.”
Corpse Doctor: A necromancer. Or necrothurge. Or flesh automaton maker. Basically anyone who mucks with bodies for mystic purposes.
Dama: A woman with the skills and confidence of a knight. May be literal for a warrior-woman, or may be a term of respect for the woman’s expertise and dominance within her field, be that accounting, politics, or just being family matriarch.
Drowned Man: Functioning drunk. Often barely-functioning, like a disgraced doctor who now works out of a back ally, or a corrupt police detective who does private investigations now.
Eveic: The secret language of Eve, used in the Garden of Eden, which neither Adam nor God understood. Therefor, any secret known and used by a group of women.
Hexer: Anyone with magic that is of an evil source, or they use to specifically evil ends.
Hexhunter: An expert at tracking down, understanding, and undoing the evil caused by hexers.
Glint: Someone who has one, and likely only one, truly noteworthy magic item (often a weapon or one-use spell-tosser).
Go Dwarven: Get simple, heavy, primitive, and generally violent. “If you don’t pay your loan back, we’ll have to go dwarven on you.” But also a mechanical philosophy. “The radiator doesn’t work unless you go a bit dwarven on the pipes.”
Grendle: Any monstrous or supernatural problem that, for whatever reason, the local authorities won’t do anything about.
Guillotine Cure: Fixing social problems by getting rid of politicians in charge. Not always by killing them, but that’s often the implication.
GumSword: A hired monster-killer or adventurer. Often a low-rent one, who can’t afford high-end steel weapons, but may depend on a baseball bat or crowbar.
Lotus Fiend: Drug addict, especially addicted to drugs that grant magic visions and maybe real eldritch powers, at least briefly.
LuckLubber: Someone who is cursed, or has such bad luck they seem to be cursed.
Medusa: A woman who is believed to have power, generally magical or political, and the will to use it.
Morlock: Any intelligence, roughly humanoid thing that most lives below ground and doesn’t abide by the rules of civilization and society, not even Undertown society. May include trogs, derro, mongrelmen, skulks, tommyknockers, and, you know, morlocks.
Noirmancer: A secret spellcaster, who only does their wok in the dark or at night, or in the metaphysical shadows.
Paper Troll: Someone who talks big and makes trouble, but only in newspaper editorials or letters to the paper, or in town meetings and such.
Pargeter: An artificer skilled in the creation of automatons and homonculi.
Parthian: An enchanted firearm. “No one wants to cross Gurhtu One-Tusk. His violin case supposedly is where he carries a Parthian.”
Precious: Any important item, often referred to by the obsessive owner; such as “Jimmy the Glint’s ‘Precious’.”
Psara Cat: An unusually large, fluffy, calm breed of feline who supposedly pick people to adopt and turn into spellcasters. Also, anyone who appears to be the power behind the scenes. “Little Ezri may just look like the bartender, but he’s the real Psara Cat south of 114th street.”
Raven: An informer who knows things about the world of magic and monsters. Sometimes, may be an actual corvid.
Spelleasy: A neighborhood bar when you drink coffee or tea and discuss magic. You might discuss elixirs, but don’t actually make them. Like alcohol elixirs are, after all, illegal now.
Spider-Friendly: Willing to deal with creatures from the Undertown, like drow and driders and ropers. “The ground floor of the Drake Drink Club is upscale, but the basement levels are spider-friendly.” Also a suggestion of a person who might be sexually attracted to subterranean races.
Stormer: A powerful, primal spellcaster. often one who has to be angry to create magic effects, or who creates uncontrolled magi effects when angry.
Talk to a Mirror: Any form of divination. “Okay, I’m stumped on this case. but I know a guy who’ll talk to a mirror for us.”
Taxi Hero: An adventurer who deals with things on a case-by-case, for-pay basis. “They may not deal with the whole cult, but the neighborhood gathered some money to hire a taxi hero to clear out that Set temple on in the abandoned Monarch Hotel.” Taxi heroes often literally work for a local branch of the Delver’s Union, which sells tickets to people they can give a Taxi Hero to deal with a problem. An “A Ticket” is a minor nuisance, such a a giant rat in your basement, or soot-sprites. The letter-codes go all the way up to the E Ticket, which is your trolls under an overpass, chimera nest in the church’s bell tower, hauntings, and so on.
The Taxi Hero takes the ticket back to the local Delver’s Union, and gets paid for the work. Of course, it seems like the A and B tickets pay out less and less every season…
“Three C’s”: Chokers, Cloakers, and Crypt Things — stand in for anything you may run into in an urban alley or sewer that’s common enough to recognize and know how to deal with, but dangerous enough to kill in an unheroic manner you anyway. “Lots of people gone missing in the Battery recently. Probably just the Three C’s.”
Threadman: An undead created intentionally as a servant. Comes from the fact they often have lips, eyes, or both sewn shut.
Wand Wiggler: A spellcaster-for hire, often a pretty weak one.
WarWolf (or Loup de Guerre): A civilian vehicle converted for paramilitary or military purposes. “The Starshiners have an old WarWolf they use to make deliveries.”

Step 0+1: Microfiction

Even after I saw how easily gamified the concepts for Sorcerers & Speakeasies could be, I didn’t leap to game rules. Instead, I began wondering if there was a way to present a setting that had magic melee weapons and firearms both be fairly common, but magic firearms be rare. I especially liked the idea of enchanted clubs and sling rocks being even more common than enchanted swords.

That lead to this super-short story.

Runes and Remmingtons
“Sarge, why do the Torchers carry breakbats?”

“Are you asking, cadet, why an officer in the Undertown street patrol might be equipped by the city with an Type IV Enruned Peacekeeping Cudgel?”

“Well, yeah.”

“Because cadet–Macklin, is it?–there are things in Undertown that need kinetic encouragement to be good citizens.”

“Well sure, Sarge. We all get that. But why not use a .38?”

“While our Police Standard Issue is a fine choice for many duties, son, there are things in Undertown that don’t pay attention until you tap their should with something that has runes on it.”

“Okay, Sarge, but why not just put runes on a .38? I mean I’ve seen an Ogre Squad carrying more boarspears than shotguns! Shouldn’t we just put some runes on modern weapons?”

“First, Cadet Macklin, a shotgun lacks the lugs needed to keep a wounded globster from crawling up onto and over you while you and your squad hit it with the wrath of Good St. Alaina the dozen or more times it takes to bring it down.
“Second, runecasters have been putting the roxie on pigstickers and crossbows for centuries. They’ve gotten right good at it. But a nice Remmie pump 17? Been out less time than you’ve been alive. Turns out, until the Longbeards and Calicos in armaments have been perfecting the runes for a kind of weapon for a good dozen decades, the cost of enruing one is… prohibitive.”

“But Captain Auburn has that cherry Springfield with a bunch of runes on it!”

“She does indeed. Brought it back from the war. And she earned it. Got that for killing a dragon, Macklin.”

“A draaaagon, Sarge? Really?”

“Feel free to ask her your own self, cadet. If you want to lose your eyebrows for insolence. But until then, let’s train with the Peacekeeping Cudgels, shall we?”

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’49, Wüstendrachen

As the German Wüstendrachen had little impact on the war anywhere but in Africa, Allied planners tended to dismiss them as either a stunt designed to show the impressive reach of the Reich, or a poorly-conceived plan to create a new form of wonder-soldier to compete (in general, poorly) with powered-armor equipped heavy infantry.

In fact, neither of those was the strategic purpose of the Wüstendrachen, which was in general never realized.

20190623_202113

By the time the Reich had determined victory had to mean conquering North and South America, the reality of logistics just invading the Soviet Union and Czarist Crimea had become clear. While invasions of the Americas wouldn’t have to deal with Russian Winter, the need to import the needed war materiel across one or more oceans was seen as a major problem. Even if jet bombers and saucers could destroy most of the continent’s opposing forces from the air, truly controlling such territory would require troops on the ground.

This is where the drachen were seen as part of the solution. The beasts were capable of outrunning and outlasting horses, camels, and even jeeps, could allow expert troops to carry significant materiel and even anti-tank weapons, and while they could not compete with walkers or heavy infantry, they were more than capable of handling light infantry or militias.

And they could breed.

The idea was that a well-blooded, well-trained Wüstendrachen could expand exponentially once established on a foreign continent. A single female could lay 4-5 eggs a week, and hatchlings were born nearly self-sufficient. They would imprint upon birth with a pack handler, could be used as guard animals within a week, and could become mounts within 3 months.

Rather than have to build factories, import or process fuel, maintain supply lines of tires and spare parts, the plan was for elite Wüstendrachen to establish bases of operations, feed their mounts on fallen foes and wild game, and recruit, train, and educate local whites to become volkwüstendrachen, creating a self-sustaining, replicating, self-sufficient scouting and patrol force that could spread across any continent with little support from Germany.

Though the project only took root in any strength under Rommel in Africa, its success there for years suggests it would have at least had some impact on an invasion of the Americas, if the Reich had ever managed great enough success to attempt such a thing.

#DieselPulp

Short Order Heroes. 1. On The Clock.

Deputy Jensen Jackson was not particularly important. He knew that.

He was simply too young to be important. Or, at least, too young for someone from his social circles and economic circumstance to be important. That was fine. That was how the world worked.

But he did WORK for people who were important. Old Sheriff McCarter, of course, but “Mac” McCarter had stopped trying to elevate his own status, or those who worked for him, long before Deputy Jackson came along. Assuming, of course, he had ever made such efforts.

Deputy Jackson did assume that.

But Old Mac simply spent too much time hanging out with unimportant people to be a ticket to betterment. Oh, sure, being trusted by people on both side of the tracks — as well as townies, ranchers, drillers, hunters, natives, and even truckers — was useful when it came to policing. Deputy Jackson assumed that was why Mayor Gauge put up with Old Mac — he kept things quiet. And, it meant Mayor Gauge never had to worry about the sheriff looking to move into his job. Old Mac just ran in the wrong circles for that.

Mayor Bill Gauge very much ran in the right circles. When it came to being important in the town of Virtue, Oklahoma, Mayor Gauge defined the right circles.

So if the mayor called up and said “Jensen, my fellow… ” and it pleased Deputy Jackson that the mayor always called him ‘Jensen,’ “… I am having some folks over at the Boomer Barn, and I’d sure like if you were there to keep an eye on things.” Well then, Deputy Jackson would be there, keeping an eye on things.

He was not, in any formal sense, “on duty” when he stood near the mayor and his associates at the Boomer Barn. He was in uniform and thus, under Old Mac’s rules, couldn’t get a drink even though the Barn’s owner,  Amos Lauren, would happily have given the deputy a free glass like he did for Mayor Gauge and whoever was sitting with the mayor. At least, Deputy Jackson was sure Amos would slide him a liquor-by-the-wink (as Apache County was dry) if he was out of uniform while keeping an eye on things for the mayor.

It had never come up.

Mostly, he just stood a bit away from the bar, in his tan and brown uniform, with his belt and holster and badge, between most of the Boomer Bar’s main room, and the leathertop table in the back corner where Mayor Gauge talked to folks and got things done. It was unofficial, of course, but efficient. No rules of order, no minutes of each meeting, no snoops, no party officers, at least unless the mayor invited them.

The government, people in Virtue said, was in town hall. Solutions came from the leathertop.

The mayor normally told Deputy Jackson who to expect so he could wave them to the leathertop, as Jackson knew everyone in town and most everyone important in the county. If anyone not on the list wandered up, the deputy stared at them until they got skittish and wondered away. If they seemed important enough that the mayor might want to talk to them even if they weren’t on the list, Jackson cleared his throat to get the mayor’s attention.

That was keeping an eye on things.

As a result, Deputy Jackson was surprised when Peg Shaw walked into the Boomer Barn, wearing her waitressing uniform and apron, kicking red dust off her boots, and then marched straight toward him. He was even more surprised she had a big, white cloth sheath hanging from her apron, with a knife stuck in it. His surprise grew only slightly more when he realized she was carrying a shotgun.

Shotguns were more common in Virtue than 12-inch-long knives.

She wasn’t pointing the gun at anyone, and she seemed calm enough. And Peg had been a law-abiding citizen her entire life, 32 years in town. There were stories that her mother had been a bit nuts, had maybe used grandpa Shaw’s tractor to run over a whole heard of razorbacks in ’31, but whenever the question had come up Old Mac always said that was, after all, not illegal

And while Peg was mostly a waitress at the “Ranch 66” diner by the highway, she had been known to step up and cook if the regular staff got sick, or had to go help family who lost a home in a tornado. Her family were ranchers and butchers going way back, so it was no shock she could cook. And, he recalled, when he had seen her running the Ranch 66’s grill once, she had been sporting that same cloth sheath and knife.

So Deputy Jackson could envision some odd scenarios where she needed to run an errand over to the Boomer Barn, and just happened to have a foot-long knife and a shotgun when she did them. And, honestly, those scenarios seemed more likely than Peg Shaw meaning to harm anyone at the local dance and social hall, so he didn’t feel the need to grab his gun or yell orders.

When it was clear that she was headed toward the leathertop, he decided his plan was simply to stare at her until she went away. Whatever she thought she needed from the mayor or his guests, Peg Shaw clearly was not important enough to skip the list.

That plan worked fine, right up to the moment Peg walked up to him, and matched his gaze.

“Peg,” he said casually, to remind her that even though she was a few years his senior and they weren’t friends, he had the position to use her given name.

“Jensen,” she replied even more coolly. Deputy Jackson had no idea what that was supposed to remind him of, but he suddenly felt like he had in elementary school, when Mrs. Floyd has asked him what 11 times 13 was, and he hadn’t known, even though he was supposed to know by then.

Her gaze became uncomfortable. If she found his stare in any way disconcerting, she wasn’t showing any sign of it. His sureness in her unimportance wavered. She also, he realized, had a book under one arm. It was a ragged, uneven thing with what seemed to be magazine pages and newspaper clippings and loose typed pages, all stuck hodge-podge between it’s covers. There were tabbed pages as well, and he could just read three of them, with tabs marked “breakfast,” and “desserts” and “therianthropes.”

It was, of course, rude to stare at a woman for this long. And it would be rude to suggest she go back out, or that she shouldn’t be wandering around with a big knife and shotgun. That was the only reason Deputy Jackson turned away from her gaze and pointedly cleared his throat at Mayor Gauge.

The mayor looked up, annoyed. His eyes flickered at Jackson, and then over to Peg Shaw. And then, to the deputy’s shock, the mayor looked concerned.

“Peg Shaw. You on the clock?”

Jackson’s eyes bounced back and forth between the mayor and Peg, and he felt his jaw relax a bit.

Peg’s voice was still cool. “I am, mayor. I need a minute.”

“It’s not a great time, Peg.” The mayor waved at the five men sitting at the leathertop with him. The most important of those was Bruce Shane, one of the wealthiest ranchers in the tri-county area. While most of the other men present seems as perplexed as the deputy (though none of them had either the annoyance or disdain Jackson would have expected from such a circumstance), Shane’s expression was as grim and serious as the mayor’s.

“Sorry, mayor. It can’t wait. Not unless Mr. Shane thinks he has cattle to spare. There’s already a truck rig missing, and it’s got to be belly coolers…”

The mayor held up a hand, which forestalled Peg finishing the description of whatever couldn’t wait.

“Gentlemen,” the mayor’s voice was calm, “forgive me, but a civil servant’s first duty must be to his constituency. We can finish this discussion another time. Bruce, can you stay?”

Peg walked past Jackson without any further invitation, and all the men not named Bruce stood from their chairs around the leathertop, and walked away without any grumbling.

“Jensen?”

Deputy Jackson was, as always, thrilled the mayor called him by his last name, and even more thrilled to be included in anything important enough to interrupt the major’s normal plans. He almost started to walk toward the table.

“Go get Old Mac, will you? Let him know there’s a Shaw Problem, and that Peg is here.”

The deputy swung his leg, which had been about to carry him toward the leathertop, in an arc he was sure looked natural and intended as he began walking toward the door. He heard a thump behind him, and the rustling of pages.

Peg’s voice followed. “There are signs, which ‘Nan Micah made note of back in ’04 here on her rules for boiling poke salad…”

Jensen hurried a bit, to go get Old Mac.

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Pulp Powers: Prechometry

Exploring a concept of a psychic power I’ve never seen anyone use in  story or game before.

“Prechometry”

The ability to touch an object and gain impressions of noteworthy things that are going to happen to it in the future.

Especially useful variant is “image prechometry,” which allows you to touch a detailed picture of an object (such as a blueprint), and determine what major things would happen to it if actually existed.

In my “Diesel Pulp” just-for-fun setting, the Black Duchess of Crimea has a number of prechometrist stranniks, who allow her military to troubleshoot new designs without ever actually building or testing them. While this system is not perfect, it saves so much time and money as to give the Black Duchess a huge advantage.

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Comic Book/Superhero Ideas

Sometimes when looking to create superhero worlds or adventures, all you need is an idea to run with. It could be a jumping-off point, a villain, a dead hero to draw the protagonist’s interest… just something that feels like it comes from a comicbook sensibility but (and this is the hard part) without being a direct ripoff or sharing a name with any character from mainstream comics.

So, here are a bunch.

I can’t claim they are all entirely original–many are intentionally based on existing tropes–or even that the names aren’t used in any comic/supers stories. But I developed them independently of other sources, and casual searches didn’t show parallel development of note.

These are designed for you home games or to spark new ideas original to you (though if you have some potential commercial use, feel free to drop me a line).

Aberzombie & Glitch.
Annoying, immoral preppy necromancer and technomancer who manipulate magic they barely understand, while stylishly dressed. Note that being shallow doesn;t automatically make these villains. they could be the kind of allies you avoid… until you absolutely need their help. Or even neutral to greater conflicts, and just sometimes dragged in on one side or the other.

AK.
A heavy weapons vigilante, mercenary, or assassin who uses an AK.

Anti-Vaxx.
A villain. A terrorist who takes the unscientific belief that vaccines are dangerous and to be avoided to extremes by killing those who perform/promote vaccines, and tries to prove they are ineffectual by spreading deadly contagious diseases among vaccinated communities.

BustDown.
A woman with classic “brick” powers (high strength and resistance to damage) and no fucks to give about other people’s opinions. She could be a dauntless hero, a bitter villain, a self-interested mercenary, or anything in-between.

Cannon’s Fodder.
A penal superhero unit of convicted criminals who can cut time off their sentences by performing high-risk missions for the government. Run by Captain Cannon, a hardass patriotic supersolider with a cybergun arm who does as he is told and rules over the ‘Fodder’ with iron discipline.
The Fodder are run by the Combine, and operate out of a mobile secret base ship called The Trough. Cannon’s Fodder are often B- and C-grade villains (and occasionally antiheroes, vigilantes, and heroes who ended up on the wrong side of something), but are quite a dangerous force combined with the gear the Combine can arrange for them, and Cannon’s tactical acumen and willingness to sacrifice the lives of his Fodder if that’s the only way to get the mission done.
Thus while you can use noteworthy villains for your campaign’s Cannon’s Fodder, you can also just grab any terms or names you think of to be the “current” team, repurposing any write-ups you already have to represent the B List. (For example, the Feb 2019 team might include Bear Man, Deadnought, Killer Kaiman, Layaway, Punching Judy, Sister Sirocco, Spotlight, and Tigerdrake.)

Clutch.
A highly trained spy and combatant, who has luck that increases as the chance of failure goes up.

Colorguard.
A team of 5 teens who can transform into powered, color-coded versions of themselves. Anywhere from Power Rangers to Sailor Scouts. Could be heroes, villains, or just an annoyance.

Crunk.
A berserker who gains size, strength, and resilience (including to mental powers) as he becomes angry. Most likely an antihero.

Doctor Dank.
A rogue genius pharmacologist who gains massive psychic powers when high. could be an antihero, a villain, or just an unreliable hero.

Gat.
A pulp-era-style detective or hit man who is happy to pit his/her skills and a single common handgun (the “gat”) against whatever superpowers foes have.

Hardcore.
What if the Punisher had Batman’s training, resources, and skills?
That would be Hardcore.

Knacker.
The Knackerman, or Knacker, is a supernatural force who clears corpses from roadways and public spaces, and repurposes them as revenants. Usually the Knacker just gives abused animals a chance to return and punish their abusers, or sometimes save a beloved human in trouble. But sometimes Knacker brings back cars, or toys… or people.

Lag.
Can slow down anyone or anything, so all actions and reactions take longer.

Mr. Untouchable
A mastermind crime boss, who is known to also have powerful connections to legitimate political authorities such as mayors, judges, and law enforcement–though no one knows exactly what those connections are. the combination of ruthless underworld agents and corrupt politicians and agents and moles makes him (or her, regardless of the name), well, untouchable.

Obeastity.
A massively overweight werebear. Might be a cuddly hero, but might also be a bitter villain jaded from years of mockery and abuse.

Psychic Stripling Samurai Snakes.
Five sibling anthropomorphic snakes with mental powers and samurai training.
(Some of these ideas are less original than others.)

QED.
The world’s best detective, an unassuming pulp-era style investigator in a trench coat and fedora. QED can take apparently unrelated facts and use them to describe events that must have occurred to cause the known facts, thus revealing things that seemed unknown or unknowable.

Rick Rekt.
A feared, immortal assassin. When you truly need someone to suffer, you Get Rekt.

The Shark Brothers.
Card Shark, Loan Shark, and Pool Shark, three mobster brothers with bites that can sever gun barrels, each with their own specialty in crime.

The Skeptic.
The idea of someone who neutralizes mutant/metahuman powers is fairly common. This idea puts a slight spin on that, as someone who neutralizes all forms of magic.

The Relics.
A “family” of superbeings who are evolved and sentient magic items from mythology. Some, such as the swords Durandal, Gram, and Nothung, and the rings Andvarinaut and Draupnir, were forged directly by the sorcerer/smith Weyland while others, such as Fragarach, Mjolnir,  Nemean, and Tarnkappe, were reforged/rewoven by Weyland to grant them sapience, sentience, and human forms.
The Relics are reincarnated if slain, so while some have been active and alive for centuries, others are born as aparently normal humans, and then begin to gain powers of the reliquary nature sometime between their 12th and 18th years. Relics are not as a group entirely good or bad. Some, such as Durandal, appear to always be driven to work for justice. Others, such as Draupnir, seem to always seek power and wealth above all else.
And all sense that they exist to serve some great purpose in Weyland’s plans… which he refuses to talk about, though he calls them his “true children” and often aids them if they are in serious danger.

Wayland.
The ancient nordic sorcerer/smith of Germanic myth, though his origins are neolithic and he has survived to the modern era. Forged or reforged the Relics, causing them to be true living beings. Wayland is not evil, per se, and isn’t willing to see the world devastated, but his own plots and plans that take place over a scale of centuries, and mostly doesn’t care about “petty” issues like crime and justice.
Generally opposed by his equally immortal, but not quite as skilled, son Verlandsson, who mostly just hates his father and wants to stop the elder’s plans whatever they are, whatever the cost. Verlandsson is sometimes aided by his grandfather Vade, a giant and sorcerer/smith, who mostly just wants to be left alone.

WiFi.
Able to send and receive any broadcast signal. Makes an excellent “Overwatch/Quarterback/Ally in the chair” character, for good or ill, but could also be a badass in their own right with equipment and skills any superhero-level human can achieve, plus the WiFi power. Or, could have a swarm of drones. Or, all of the above.

Wolfshead.
In ancient Rome, someone who was banished from civilization was marked with the brand of the Wolf’s Head, meaning they could be hunted and killed as if a rogue wolf. One of those branded criminals turned it into a badge of honor, forming the Church of Crime and becoming the first popelike Wolfshead of All Crime.

PATREON
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Really Wild West Class Features: Envoys

We covered why it’s a good idea to offer some campaign-specific class features for the Really Wild West (index of articles here) Campaign Hack for Starfinder in our first such article, which went over soldier class features. We continue to explore the classes with new class features for the envoy.

There are numerous Western and pulp-adventure tropes that work for an envoy character in the Really Wild West, including merchants, cattle barons, carpetbaggers, snake-oil salesmen, reporters, tourists and vacationers from Back East (be they sightseers, big game hunters, or displaced nobles struggling to carve out a new empire), diplomats, traders, and activists, to name just a few!

We offer four new envoy improvisations, and two new envoy expertise talents.

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Envoy Improvisations [Any level]

Factor (Ex): You have a factor, a CR 0 NPC that helps make arrangements for you. The factor doesn’t even go adventuring for you, and generally doesn’t even travel with you, preferring to handle your affairs by telephone, telegraph, Babbage-Bell message, and courier. You can only communicate with your factor when you have access to a settlement or the Babbage-Bell Grid.

Your factor can handle one request at a time, and all requests take at least 24 hours. A factor can research a question (taking time to take 20, with a +1 bonus, thus answering anything a DC 21 check can find), make travel arrangements or housing (ensuring you get the needed number of seats or rooms at a location, at the normal cost), keep your funds secure (and wiring them to banks and stores as you direct), make inquiries about location conditions and agents (making a Diplomacy check to gather information with a bonus equal to 5 + your level), and do such minor tasks as receiving and sending mail, looking after objects you end to them, and whatever else the GM considers appropriate. They are not a spellcaster, crafter, famous personage, or combatant in any way.

In some cases when dealing with officials or members of high society, the GM may grant you a circumstance bonus to Diplomacy checks to do things such as ask for an audience or open negotiations if you do so through your factor.

Have Thing, Will Travel (Ex): (Sense-dependent) You possess one weapon that you are well-known for carrying, or that is itself recognizable (either as a unique weapon, or as one of a class of renowned weapons). You can choose what weapon this is each time you gain a new level, and if lost you can replace it with another weapon with 24 hours of adjustments and spreading rumors.

You can draw this weapon without taking an action as part of any move action or full action, and as part of rolling for initiative. When you draw the weapon in this way outside of combat or in the surprise round of combat, you may make an Intimidate check to demoralize a single creature within 30 feet of you also without taking an action. Any creature within 60 feet of you when you do this is immune to this ability of yours for 24 hours.

Put A Price on their Head (Ex): You can put a bounty on a foe, dead or alive, to encourage bounty hunters, law agents, allies, sellswords, and gunslingers to make their best effort against that target. You can only do this in a settlement with a Babbage-Bell station, and you must either make a Successful DC 15 Diplomacy check to accuse the target of a crime you reasonably believe they have committed, or have the GM make a Bluff check in secret (DC 15 + 1-1/2 target’s CR, +10 if viewed as friendly by the settlement, +20 if viewed as helpful) to accuse them of something believable, with the ability only working on a successful check.

You must offer at least 100 credits for the target, to be brought to justice dead or alive. You must pay ¼ of this amount in advance. The GM then makes a secret Diplomacy check for you (DC 15 + 1-1/2 target’s CR). If it is successful, within 24 hours everyone who could reasonably have heard about the bounty gains the benefit of your Get ‘Em improvisation when attacking the target, even if you are not present. On a failed check there is no benefit, but you do not know if the check succeeded until you witness someone attack the target.

The bonus lasts 30 days, and you can then renew it by doubling the bounty (and paying 25% of the new amount in advance). If you learn the check failed, you can make a new check my doubling the bounty. If you do not renew a bounty, you cannot set a new bounty on the same target for 30 days.

If someone brings in the target and claims the bounty, you must pay it, or you cannot use this ability again in the same territory (generally an area the size of a US state) until you do so.

You must have Get ‘Em to select this improvisation.

References (Ex): You have a series of references you can use as your bona fides in certain segments of society. These may be names of people who will vouch for you (and who you can describe well enough to convince others such vouchsafing is likely), passwords and phrases, physical letters of recommendation or letters of credit, secret handshakes, or any combination of similar methods. You know exactly which references to call on in what circumstances, allowing you to benefit from these to a degree other characters can’t match.

Select a “reference alignment” within one step of your own alignment. When dealing with official members of an organization with an alignment within one step of your reference alignment, or officials or people with influence in a settlement with an alignment within one step of your reference alignment, you can make a Diplomacy check to change the attitude of that character as a move action by calling on your references. This only works once (ever) per character, and only if the character is unfriendly or indifferent toward you. (Hostile creatures don’t care what your references are, and friendly or helpful creatures already like you well enough not to care either).

Additionally, in a settlement with an alignment within one step of your reference alignment, treat your character level as 1 higher for purposes of determining what you can buy.

Expertise Talents

Interlocutor (Ex; Culture): You know a number of languages, and can often work out how to communicate with someone who only knows a language related to yours. You gain a number of bonus languages equal to your ranks in Culture (increasing whenever you put an additional rank in Culture).

When you meet someone who speaks a language, but with whom you do not share a common language, you may roll your expertise die (by itself). On a result of 1-5 you have no special advantage communicating with the target. On a result of 6 or 7, you have found a related language and can convey very simple concepts with a minute of work. On a result of 8 or more, you find a common language similar enough to easily communicate basic concepts.

Look Harmless (Ex; Bluff): If you do not have a weapon or obviously dangerous item or spell readied for use, and a creature has never seen you make an attack, rather than add your expertise die to a Bluff check, you can make a Bluff check as a standard action to convince the target you are no threat. This is a Bluff check to lie, but it does not take a modifier for the target being hostile or unfriendly. If the check succeeds, and there is any other target in line of sight making attacks against the target or the target’s allies, the target does not attack you, favoring attacking more dangerous-looking foes.

This immediately ends if you are witnessed take any action that works against the target’s best interests, or aiding the target’s foes. If you target gives you instructions (such as “don’t move!”) and you do not follow them, you must make another check with a cumulative -5 penalty for every instruction you have not followed.

If you attack the target while it believes you are harmless, it is treated as flat-footed against your first attack.

In the coming weeks, we’ll look at class features for the rest of the Starfinder core classes, to give them Really Wild West-specific options!

PATREON
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Really Wild West Class Features: Soldiers

A big part of the point of making the Really Wild West (index of articles here) a Starfinder Campaign Hack is that it means most of the rules we need for weird-science-and-fantasy-infused-western stories already exist. While the RWW Index has lots of special rules subsets for things like high noon showdowns, renown, gambling, and so on, the majority of the game’s basic rules, including classes, skills, feats, and even most equipment, are largely unchanged.

However, as with any campaign setting, there are good reasons to add some new class options to a Really Wild West campaign, to allow players to make Western-themed characters that are appropriate in the Weird West of a Martian-invaded Earth of 1891, which might not fit in a more traditional (or official) science-fantasy setting. We already touched on a few campaign-specific themes and rules for theosophy and psychic powers, but it’s also worthwhile to create some class-specific new options to help players make some iconic weird-west concepts.

We start with soldier class features, focusing on some new gear boosts and two new fighting styles.

(And, of course, the other advantage of making this setting Starfinder-compatible is that you can take new material like this, and use it in other settings if you want to. 🙂 )

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Soldier

Gear Boosts

Shootist (Ex) You add your level to damage done with small arms, in addition to any other bonuses you get (including your Weapon Specialization bonus). You cannot add this damage at the same time you are adding any other ability that only works with a subcategory of weapons that includes small arms or operative weapons.

Shotgun Fit (Ex) You can custom-fit a shotgun so it’s trigger pull, balance, but plate, and position match your frame and shooting style perfectly. This precise a fit requires you to do maintenance on a shotgun, so it must be in your possession for 24 hours before this ability applies, and you can only keep a maximum of two shotguns adjusted to use this ability on at a time.

When using a custom-fit shotgun firing shot, you halve the damage penalty it takes for range.

THAT’s a Knife! (Ex) You add your level to damage done with operative weapons, in addition to any other bonuses you get (including your Weapon Specialization bonus). You cannot add this damage at the same time you are adding any other ability that only works with a subcategory of weapons that includes small arms or operative weapons.

Tight Grouping (Ex) When you make multiple ranged attacks at the same target in a single round, you gain a +1 bonus to the ranged attack rolls after the first one. If you attack a different target or make a melee attack, you don’t receive the tight grouping bonus for the rest of the round.

Fighting Styles

Cavalry

You may have been formally trained in cavalry tactics, or grown up on a ranch or in a culture where being mounted s a way of life, or be a skilled scorcher who learned to fight from a seat while running scouting missions against Martian Tripods.

Ready to Ride (Ex) [1st Level] You begin play with a light or heavy horse (or with the GM’s approval a similar creature using the same statistics, such as a bison,camel, or moose), or a safety bicycle. If it is lost, you may replace it at no chare at a major settlement, or when you gain a level.

If you begin play with a mount, you gain Expert Rider as a bonus feat, without needing to meet its prerequisites. If you begin play with a safety bicycle, you instead gain the Scorcher feat as a bonus feat, without needing to meet its prerequisites.

Mounted Combat (Ex) [5th] You gain a +10 ft. bonus to speed when using the mount of bike from the ready to ride ability.  Additionally, once per round when your mount or bike is hit by an attack or fails a saving throw, without taking an action you may make a Survival check (for a mount) of Pilot check (for a bike). If your check meets or exceeds the total of the attack roll against your mount or the DC of the saving throw, the mount is missed or considered to have made its saving throw.

Fight From the Saddle (Ex) [9th] You gain Mobility as a bonus feat, but only when using the mount or bike gained from the ready to ride ability. If you already have Mobility, you instead gain your choice of Shot on the Run or Spring Attack (only when using your mount or bike) as a bonus feat without having to meet its prerequisites.

Like the Wind (Ex) [13th] You bonus to speed when using the mount of bike from the ready to ride ability increases to +20 feet. Additionally, you can take 10 for Survival checks and Pilot checks regarding mounted combat and bicycles, even in combat or when stress or distraction would normally prevent you from doing so.

Cavalry Charge (Ex) [17th] When you are on a mount or using a bike, you take no attack penalty to attacks made when charging, and add a +4 bonus to damage done on a successful attack when charging.

Pugilist

Whether it’s street brawling, a formal martial art, boxing, Bartitsu, or a knack picked up from years of literally punching cows, you are particularly skilled at fisticuffs.

Improved Unarmed Strike (Ex) [1st Level] You gain Improved Unarmed Strike as a bonus feat, and when you gain this ability choose to either have your unarmed attacks not count as archaic weapons, or gain a +1 bonus to damage with unarmed attacks. You can make an unarmed attack without having a hand free as long as you are not immobilized and have one limb or your head free to move about.

Additionally you can make unarmed strikes using melee or ranged weapons, by using the weapon to smash a pommel or other blunt part of the weapon into your target. If the weapon has a fusion or weapons special property that is appropriate to apply to an unarmed attack, or is made of a special material, you add those effects to your unarmed attack.

Keep Your Guard Up (Ex) [5th] Your KAC against combat maneuvers is increased by +4.

Stunning Blow (Ex) [9th] You can hit a foe so hard they are briefly disabled. You take no penalty to your attack roll to do nonlethal damage to a target with an unarmed attack. Additionally, you can declare a unarmed attack to be a stunning blow in advance of your attack roll. If the attack hits, the target must make a Fortitude save (DC 10 +1/2 your soldier level + your key ability score modifier) or be stunned for 1 round. Once you attempt a stunning blow, you cannot do so again until you regain Stamina Points during a 10-minutes rest.

Sucker Punch (Ex) [13th] Once per turn you can make an attack of opportunity with an unarmed attack without taking a reaction. You can still only make attacks of opportunity when a target provokes one from you.

Flurry of Blows (Ex) [17th] When you take a full attack, you may make one additional attack at -8 to the attack roll, which must be an unarmed attack.

In the coming weeks, we’ll look at class features for all the Starfinder core classes, to give them Really Wild West-specific options!

PATREON
If you enjoy any of the content on this blog, please consider adding a drop of support through my Patreon campaign!