Category Archives: Anachronistic Adventurers

Random Idea Generation Methods. 1. The Reverse and Twist

Sometimes, I just need an idea to play with. I may need a starting point for a new project, or some color and side-thoughts for a bigger ongoing work. Often I just generate new random ideas as a palate-cleanser when I need a break from something I am grinding on. Other times I want to throw ideas out to other people, either for fun or to jump-start their creative processes.

Now if I am lucky, a random idea just comes to me when I need it. Or, if one comes when I don’t need it, I can jot it down with just enough detail to come pick it back up later.

But more often than not, i have to generate an idea, and when i have to come up with dozens at a time, I have verious methods I use to do that. Here’s one”

Reverse/Twist The Starting Point

This is one of my favorites, and it’s a good way to use inspiration without turning everything into a pastiche (or rip-off). The basic idea is to take the core premise of an existing setting or story you like, and make a major change to it. Then, you follow the permutations of your new set-up.

For example, take Moby Dick. It’s a captain’s obsession with getting revenge on a whale. It’s compelling, but it’s also been done and redone hundreds of times. So, what if we reverse a number of elements.

Our Captain is still a whale hunter, but he has not a care in the world. The Red Demon, which may or may not be a whale but is certainly a sea creature, seeks to destroy the captain as revenge for the captain slaying the Demon’s mother. We still have stories of obsession and revenge, but now our focal human point is ignoring the risks, his arrogance convincing him that even if the Red Demon is real, it’s a brute animal, and he has all the advantages of human civilization and intellect to overcome it if it ever finds him.

Now, the inspiration for that idea are pretty clear. That’s fine–the starting place of a story, setting, or even writing prompt is only a small part of the work of making something. But once you have that nugget, you can twist and add/alter as you see fit. Instead of a whale-hunting captain hunting you could have a famous ivory poacher, clearly a villain and an up-and-coming local warlord–who does worry about human threats (and perhaps kidnaps a journalist to tell “his side” of his story, giving us our narrator), but ignores local legends of a Red Demon elephant out to get him, even when other poachers are slain by it.

The further we get from the trappings of the original idea, the more our end product will be clearly its own thing.

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

Otherworld: A Mode for Wayward

One of my Shower Projects recently (things I only spend time thinking about while showering, making lunch, and so on) has been what my Modes (pocket parallel worlds that overlap with the “normal” world of the Ecumene may look like in the  Wayward campaign setting I hope to eventually release (as a private individual) for Modern AGE through the AGE Creator’s Alliance.

I’ll want my Modes to be distinct, different, yet feel like they belong in the same sets of stories. Two have already suggested themselves to me.

The first of those is Otherworld, a mode where creatures from various afterlife mythologies (Valkyries, angels, devils, ghosts, and so on) live and interact in a version of the modern world where every town, or every neighborhood in big cities, has a single distinct character. Svanrcroft is tall stone buildings, broad, tree-filled lanes, and massive rock municipal buildings and concert halls; Latssvin is another neighborhood in the same city across the river from Svanrcroft, and is entirely rusting steel, cracked concrete towers, and brutalist sprawls with homes and businesses and offices crammed in with little rhyme or reason.

Each of these distinct neighborhoods is controlled by one afterlife group that serve much like some combination of street gangs, neighborhood watches, local beat cops, organized crime, and community centers. Major otherworld creatures mostly believe they are agents of divine beings, getting their “orders” from what appear to be entirely random sources — the Valkyries of Svanrcroft believe they receive orders from Freyja in the form of messages written on Brísingamen-brand food and drink packages, but to anyone else they just seem to be random, common commercial quotes.

Common citizens of the Otherworld are shades of Ecumene folk who have died, living agelessly in very much the condition they were in shortly before they died (though obviously ways to get better if sick, or younger if old, will be major potential plot drivers for Otherworld adventures featuring shades). The status of shades within Otherworld influences how they are remembered in Ecumene — a great writer whose shade has suffered misfortune and poverty within the Otherworld slowly loses their place of relevance and fame in Ecumene.

When major forces from Otherworld influence Ecumene, they tend to be voices heard by Ecumene commoners, who are driven into zealotry. A single Otherworld creature may be occasionally whispering to dozens of Ecumeners , or be spending vast amounts of time influencing a single person. Those affected are encouraged to perform acts, rituals, or influence world events in Ecumene that grant an Otherworld faction more prestige, power, and territory within Otherworld. Left unchecked, Ecumeners under Otherworld influence become Zealots, and begin to actually be able to bring tiny bits of Otherworld (and its Mode rules) into corners of Ecumene.

Within Otherworld, heroics are commonplace and easy, spellcasting is hard. This will be handled with some combination of special rules for stunt points — something like, whenever you reference the value of the stunt die (including when you roll doubles and need to determine the number of stunt points you get) you use the highest value die of your roll, rather than the stunt die–and special hindrances for spellcasting.

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

Modes for Wayward, a Potential Setting for AGE Creator’s Alliance

Some more thoughts about the Wayward campaign setting I hope to eventually release (as a private individual) for Modern AGE through the AGE Creator’s Alliance.

So, one of the core conceits of Wayward is that there are “modes,” which represent adjacent realities to the (mostly) normal world, or Ecumene, where PCs call home. Things from other modes can influence, or even partially leak into the Ecumene, causing trouble and pain, but cannot be permanently destroyed except in their native mode.

Luckily, there are the Wayward, people native to the Ecumene who can travel to other modes to deal with things found there. Most modes are twisted parallels of the Ecumene, familiar in some respects and terribly (sometimes horrifically) different on others. Modes are all dangerous, even deadly, but just as things from other Modes (I’ll need a name for “things from other modes” at some point) can’t be permanently destroyed while in the Ecumene, PCs native to the Ecumene cannot be permanently destroyed while corporeally in another mode. However, that doesn’t mean being Put Down in another mode does hurt… and leave scars that stick with you whatever Mode you are in.

I’m using the term “Mode” so far, because I want to treat these alternate realities in roughly the same way Modern Age treats its different Modes of Play (gritty, pulpy, cinematic). So while the Ecumene itself is gritty, the laws of reality on others may be pulpy or cinematic, AND have other local rules changes to represent their altered rules of reality. That might not be a good enough reason to stick with “Mode” in the final term (‘demesne” comes to mind as having the right feel, for example), but it’s definitely good enough as a placeholder name for a in-progress game concept for a campaign using a working title.

Since there are likely going to be options that work differently in different modes [like having a Fiery heart talent might just give you a bonus to Willpower (Confidence) checks in the Ecumene, but allow you to actually summon fire magic within the Otherworld Mode), the rules are going to assume there are a finite number of “core” modes. A GM building a new mode should either make it an offshoot of one of the core modes (perhaps in addition to Otherworld, there is a very Nordic Helvangr which has different creatures and powers and appearance, but follows the same game mechanical rules as Otherworld.

That of course means the core modes I include in the campaign setting are important to the overall success of the setting, and need to be diverse, iconic, compelling, and fun.

So, no pressure.

I already foresee having at least two, which I’ll discuss tomorrow.

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

Quick Notes for the potential “Wayward” Setting for AGE Creator’s Alliance

So I am planning, as a private individual (rather than as a developer for Green Ronin or the publisher of Rogue Genius Games) to release an AGE Creator’s Alliance product… eventually. Not at that program’s launch, but hopefully within a year or so.

For what seem like obvious reasons I originally thought that would be a Fantasy AGE product… but now my opinion is shifting. I have had an idea for a Modern AGE setting I might prefer to release though the Creator’s Alliance, and that might not only be a great way to divide what I am doing as a GR dev and a private citizen but also help me have a more baseline feel for the Creator’s Alliance experience.

Now, this is far from a done deal. I could discover there are good reasons not to do this setting, or change my mind about the best rules set for it or venue to offer it in. I could find something I like better as a first offering, I could just lose interest. Who knows?

But since part of what I wanted to do was showcase my own journey through the Creator’s Alliance, I wanted to offer up the short notes I jotted down at 5am for this setting idea.

Product/Product Line Title: Wayward
This idea began as I was driving on errands, listening to a song used as a theme for one of my favorite TV series. So, yes, I’m wearing one of the inspirations on the sleeve of this concept. Like anything that might change as the product moves forward, but working titles are useful.

Product Type: Campaign Setting and Adventure Line
As I currently envision it, Wayward is a campaign setting for Modern AGE which comes with built-in adventure support. each Wayward product would have a chunk of setting material, a smattering of new rule options, and an adventure designed to highlight both.
For example, the first product would be Wayward, which would also serve as the name for the whole setting, and be the in-world title of a certain kind of person most PCs are expected to be – the “Wayward,” people who operate outside the expectations and even the reality of common society. The Wayward operate in a shadowy world with creatures and abilities that are literally set apart from most of existence. This Wayward World normally isn’t “real” enough to impact most people, but there are rare exceptions, which Wayward Heroes need to deal with.
So in this first product there would be rules for what makes people Wayward, and an adventure for 1st level characters just discovering the existence of the Wayward World around them and dealing with something leaking out of it.

Inspirations
Wayward is clearly in big part inspired by specific modern media, but I don’t plan for it to be a pure pastiche of one thing. Instead my inspirations include Diana Tregarde Investigates (novels by Mercedes lackey), MAGE (the comic, especially The Hero Discovered and The Hero Defined), the Maxx (animated series especially, but also the comics), Sin City (just the first movie), Supernatural (TV show and it’s literally tie-ins)… and especially the trailer for the Max Payne movie (Yes, really just the trailer. not the movie itself, not the games–just that one trailer) and the trailer for Dark City (yep, again, JUST the trailer).
And I really mean “inspiration.” Wayward is an idea that grows out of thoughts I had when exposed to those sources (and many, many more), rather than an effort to duplicate them. It’s very much a thing I wish existed and had movies and comics and games, but doesn’t quite. Not a wholly original idea of course–just my take on a slice of the zeitgeek.

Kernel: Modes of Reality
The core kernel of an idea for wayward is that there are modes of reality that overlap slightly. Most people live only in the Ecumene, the “normal” world we all know and that (roughly) follows the real world rules of physics and history. But there are other modes, where twisted, dark, and blindingly bright things dwell. Sometimes you can glimpse those things when you sleep, or are in an altered chemical or emotional state. And, sometimes, those things can glimpse you. The most powerful things from other modes can sometimes visit or influence the Ecumene. But no Ecumene dweller can go into other modes to deal with the root of those problems.
Well, none but the Wayward…

And that’s as far as the idea has gone so far. 🙂

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

Game Design: First Thing on a Blank Page (Cultsmasher RPG)

So, I’m having trouble focusing on my tasks today. This idea for an entire RPG that would look a lot like a weird hybrid of Starfinder, AGE, PF2, 5e, 4e, and… like… Fudge beginning to form in my head.

It wants out, and I do NOT have time today. 😛

Historically, my best bet is to write down just enough of the idea that it feels like I won’t lose it over time, and I can convince my muse/subconscious it’s safe to move on. So, you get a peak behind the curtain at some of my design musings.

Often the hardest part for starting a whole new RPG, or a new subsystem, or even just something like a class, is to get the very first thing down on the blank page. I can expand, and build, and riff, and iterate MUCH more easily than I can craft from a starting point of absolutely nothing.

So, just to have a textual jumping-off point, I often create concept pieces that I know may have nothing to do with final text. These are visualizations of how rule interactions might be described eventually, starting life along–hanging in midair with no surrounding game infrastructure to connect to. But I have to start SOMEWHERE, and writing a new-ish idea as if it was final text linked to a whole game often helps spark potential opportunities, pitfalls, and complications in my head, often in real time as I write down the tiny seed of thought I started with.

So, here’s a game mechanic, currently with nothing else tied to it.

Focus: Your character’s focus represents making a concentrated effort. Doing so is physically, mentally, and even spiritually taxing. As a result, your character has a limited number of Focus Points, which fuel Focus Abilities. If a Focus Ability is tied to an Attribute which is a Primary Attribute for your character, using it costs 1 Focus Point. If it has no Attribute, using it costs 2 Focus Points. If it is tied to a Secondary Attribute, using it costs 3 points.

Every character begins with the Reroll power. If you fail an Attribute roll, you may expend Focus Points to reroll it. This decision must be made immediately after seeing the result of the roll. When you reroll, rather than roll 2d10 and add your bonuses, you roll 1d10 + 10, and add your bonuses.

Characters gain Focus Powers from their Descriptor Paths. Any character may take any Focus Power they qualify for, but some Focus Powers are more effective for certain types of characters. For example, a character with the Fighter path can take Mighty Blow, and since it is tied to Might, a Primary Attribute for the Fighter, it costs him only 1 Focus Point to use. A character with the Occultist path could also gain access to Mighty Blow, but since Might is a Secondary Attribute for that path, the Occultist would have to expend 3 Focus Points to use that power.

A character regains all their Focus Points when they Recuperate.”

(Art by 9’63 Creation)

I mean no, that’s not anything like a whole mechanic, it it already assumes this that very well might not be how any final game came together. But it’s a good verbal description of this vague IDEA I had in my head.

I also like to label these things as if they were part of an existing RPG framework. Again, these are placeholders, and mental tags to let me organize snippets and file them where I can find them again. So, and just for now, I’ll decide this is part of the CULTSMASHER RPG.

Now, maybe I can get back to working on today’s deadlines.

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

Genre Conventions as Game Rules

Years ago when I ran an RPG campaign called “the Masked Alliance,” (an alternate-history pulp masked-men campaign set in the 1930s on the cusp of the arrival of true powered superheroes), I borrowed from a lot of different game systems to create Detective! as a feat. (The core system was a no-Jedi Star Wars Saga kludge).

With Detective!, if you made an investigation check the worst result you could be stuck with was to figure out a location of another encounter that would give you more clues. No matter how badly you rolled, you got that at minimum.

So, if you rolled well, you might figure the whole thing out, and know where the main encounter was that would end that part of the plot. “This isn’t a typical stain. This is a splatter of Falernian wine, also known as “Cult Wine.” No one makes this anymore, except members of the Pantheon crime family. The pottery shards are new, made from clay available to the north of the city. A movie producer with suspected mob ties built a huge Greek temple out there he claimed was for an upcoming movie, but clearly it’s a Pantheon front. That’s where we’ll find the hostages.”

If you rolled badly, you at least figured out enough to get to another encounter (possibly just with thugs – masked pulp heroes do well with thugs).

“This is ‘Old Meadow” tobacco, which isn’t sold here. There’s only one importer in 200 miles that handles it, and they went out of business last month. They DO have a warehouse in receivership down on the docks… “

Only one player took that feat, for the Great Detective Vigilante character, but all the players loved it. The plot always moved forward, and no one complained if I had to come up with another colorful pulp-era encounter on the fly.

Last last bit it the rub, of course. Since I was kitbashing a game and I am comfortable with extemporaneous creation of new ttRPG scenes for my players, I was okay creating a system that depended on me being able to do that at the drop of a hat. But it does put a lot more work on the GM, and in a polished, professional release of the same idea I would feel the need to have a lot more guidance on how to do that (likely with tons of examples).

But it worked well in the game I used it, and it continues to be a thing I keep in the back of my mind.

Support My Patreon
The more support I get, the more time I can spend on writing things like this. 

If you enjoy any of my articles, please sign up, for as little as the cost of one cup of coffee a month!

More Models for my Hobby-Only ’49 Setting

I have been working on a “White Tsar” diesel pulp armored vehicle for nearly 5 years now. It’s a major kitbash, using some pretty advanced models beyond my actual skill level, and it’s stalled out more than once.

But our new housemate (a friend of decades) is an avid modeler, and wanted to help. The fact each wheel has more than 100 individual parts (I love pedrails, but they were not simple tech) phased him not a bit. And thus, this monstrosity has finally finished the construction stage, so I can show it off prior to beginning painting.

Comparing it to the original Tsar tank:

More than 20 feet tall? Check.
Triwheel design? Check
Giant weapon sponsons and a turret? Check

Here’s a quick recap of its fictional origin.

“In the ’49 setting, the Crimea remains under the control of the White Russians, loyalists to the Russian monarchy despite losing most of their territory to the Soviet Union. The White Russians are commanded by Anastasia the Great, also known as the “Black Duchess,” the last surviving child of Czar Nicholas II. Anastacia is a military genius with a reputation for ambushes and nasty surprises, a lifetime of conflict, and a cabal of loyal psychic stranniks with mysterious ties to the legendary Rasputin.

One of the things that has allowed the Black Duchess is hold on to ‘Czarist Crimea’ as the last gasp of the Russian Empire is that rather than build walkers (which her tiny empire simply lacks the resources to design or maintain), she depends primarily on the mighty White Tsar rolling heavy armor units. Faster and cheaper than walkers and more reliable than the legendarily finicky tracked vehicles, the White Tsar remains the only wheeled heavy armor unit in the war. Though the original Tsar wheeled armor unit was too heavy to move, by using what Martian-derived technology is available to her on a revised wheeled design for a huge mobile cannon platform, the Black Duchess has created a mobile heavy armor unit that performs very well, and which traditional anti-walker tactics don’t work well against.”

Now, I can turn my attention to the Black Duchess’s primary Romanian Fascist foes.

Pics with Eight-Ball, one of Rosie’s Rebels, for scale.

PATREON
Please consider supporting my blog.

Second Really Wild West Session — After-Action Report (Part One)

After the first Really Wild West: Doomstone game session After-Action Report, and its Part Two follow-up, numerous people indicated they were excited to keep learning about the campaign as I run it. So, it’s two weeks later, I’ve run another session, and adapted notes taken by my wife Lj (who is playing the fenrin operative bounty hunter named “Sawyer”) as a quick report.

If you don’t recognize a reference, it may (or may not) be in a previous session, or at the updated campaign notes page.

Chimera Kid

(Sketch of the Chimera Kid by Jacob Blackmon. The Kid is a figure in RWW: Doomstone the PCs have heard about, but not yet me. Jacob is awesome at capturing character designs in sketches like this, and you can hire him to do it for your characters!)

Session 02

The player running the human mechanic roboticist can’t make it to the game session, but wants us to proceed. That character is determined to have to stay behind in Cheyenne to repair her drone, and will be escorted to the ranch the PCs are heading to in a few days, when the Fonts & Bismark patrol comes back into town so they have spare people to do it. Since everyone wants to play, no one picks at the logic of this too much.

Most PCs stay at Mr. Satin’s Satin’s House of Refined Delights. Discover there is a bastet Norwegian Forest Cat named Caesar who is a professional cuddler. Fantastic purrer and snuggler. From a line of French pillow warmers (on his mother’s side) and a Bostonian chimney-sweet (literally crawls into a chimney and cleans it by moving through it, using token Spell to clean himself off when he’s done).

Day 3

PCs gather at the Fonts & Bismark station-house in Cheyenne to pick up the gear they are being given. Station Chief Adler introduces them to a new potential companion — Brone Mallory, a half-orc cartographer technomancer with a Doctorate in Theosophy from Oxbridge University, who is a mail-order theosopher who was hired to help survey the border between the Circle Axe and Vicious Hippogriff ranches. But the survey company went bankrupt while Mallory was in transit, so now he is between jobs. PCs agree to bring him along.

PC skill checks suggest he may have connections to the “Brone,” Normandy orc warcasters from the 900s AD, and possible the Mallory family of humanblooded spells-for-hire that operate around the Appalachians.

PCs decide to head to Circle Axe first. On their way north out of town, they are accosted by a human man with 4 mechanical arms run by a steam abckpack (in addition to his own 2 arms) grooming utensils. He declares he is “Beardcutter Ben, the Shaver’s Friend,” and makes his sales-pitch

  • He claims to be able to solve any problem we have.
  • Centaur Paladin buys a ring of oral hygene
  • Human Fighter/Mystic buys ten water pills (each pill turns into 1 gallon of water)
  • PCs get Beardcutter Ben’s calling card – a small gear-clockwork that when plugged into the Babbage-Bell grid tells you his last known location (he’s a wandering peddler)
  • He offers us a free sample of “Walking Meat” (gum). Says he can;t get anyone to buy it, but it makes long foot travel more pleasant. The human fighter/mystic accepts a piece. It tastes like unseasoned pot roast.

The PCs head north. It’s two day’s travel to the Circle Axe.

Brone writes down the lyrics to a song Sawyer sings on the trail, and does a couple of sketch portraits of her.

At camp the first night, shortly after sundown, the PCs see a figure approach them, with points of light for its eyes, and his mount’s eyes.

  • Skeletal male, humanoid, casually walking toward us. Rifle on shoulder. Pauses at 100ft.
  • He comes from the North, and is headed into town.
  • Wears a deputy’s badge with a skull on it — not a symbol anyone recognizes
  • Smells of turned earth, ashes, and heather
  • PCs can’t identify what he IS, but conclude he’s not an undead
  • He says he is “Deputy B. Hill,” works for “The Marshall.” Someone has “grave jumped,” and he thought it might be one of them — but now that he is here, he sees they are all on “the right side of the dirt.” His prey keeps covering its tracks, “Like a snake shedding its skin fer feathers.”
  • PCs suggest he (might*be hunting the same foe they are looking for. Offer to maybe help. Deputy Hill says he’ll mention the PCs to The Marshall. If Deputy Hill can’t track down the grave-jumper himself, the Marshal may send a less discerning senior deputy, Or a full posse, which can cause “collateral damage.”
  • Deputy Hill rides off, calmly. Later, his horse’s footprints disappear with soft, eerie sounds.

Day 04

A green meteor crosses the sky in the morning. East to West. In the Northern sky. No one is sure what it is, though it could be sky metal.

  • The human fighter/mystic seems to be permeated with a carrion smell, though only the fenrin operative bounty hunter can smell it (has scent).Fighter/mystic’s mouth is dry and foul.
  • Token Spell doesn’t help.
  • The cavalier’s ring of oral hygiene doesn’t help either.
  • Players determine this is an affect-effect of the Walking Meat gum, Determine to Have Words with Beardcutter Ben when they get back to town.

About half a day from the ranches, monstrous Jerusalem Bug (size Small) burst from the ground and attack, focusing on the fighter/mystic at first. PCs ID that these bugs burrow and eat carrion.

  • PCs look at real-world pictures of Jerusalem Bugs, and declare them “A Big ol Bucket of Nope”
  • The PCs identify these eight creatures are Rowdies (first time I have used those rules in a game).
  • They bite and spit entangling resin. Also, rub their legs together making static electric jolts and dust clouds.
  • Fighter/mystic moves to not be surrounded, suffers a knockdown crit. Draws a long knife to fight rather than pistol (has Cleave and there are many AoO possible with so many melee foes)
  • PCs roll BADLY, and the Jerusalem Bugs get multiple knockdown crits.
  • Brone Mallory, the half-orc technomancer, mostly just maintains microbot assault through the whole fight, but the margin makes a difference several times.
  • Tough fight. The fenrin operative bounty hunter loses all Stamina Points, though the player identified she kept taking unnecessary risks.
  • PCs win. Fighter-Mystic heals fenrin operative bounty hunter’s Wound damage, and then most characters take 10 minutes and expend Resolve to regain Stamina Points.

End Part One!

Patreon
Want me to keep people updated about future game sessions? Want something else? Pathfinder 1st-edition content? Would you rather see more material for 5e, or industry insider articles? Join my Patreon for a few bucks a month, and let me know!

First Really Wild West Session — After-Action Report (Part 2)

Apparently there REALLY IS a big demand to hear more about my first session of “Really Wild West: Doomstone.” You can read Part One (which covers the first fight on a train) here, and may find some useful context from the campaign notes I developed from this session.

Disintigration Ray

After the fight, the PCs introduce themselves, and compare notes.

  • According to the Transit and Portage Guild’s bylaws, since the PCs were instrumental in defending Old Number Seven, they have the right to a payment from the train. The acting conductor (the halfling porter) offers them a cut of the valuables from the robbers, or passes for free rides any associated vehicle in perpetuity (the end date on the passes is officially “Kingdom Come.” Every PC decides to take lifetime free travel.
  • The soldier/mystic says he’s gonna talk to Vardalos, the dead Kasatha. PCs all follow, The soldier/mystic casts “grave words,” and the corpse says the following:
    • Stormfront rolling
    • The grass is all blue
    • The venom king has returned – the signet ring
    • My manticore gang – on the revolvers
    • All is lost
    • The teacup is in the meadow
    • Bandersnatch
  • One of the Fonts & Bismark agents confirms a theory of the centaur paladin that the robbers wanted to send the train over the cliff and recover the item from the bottom of the gorge.
  • The soldier/mystic goes to see Vardalos’ *very* strict and loyal pony, which he can talk to. Discover’s the pny’s training means it accepts help from and takes orders from only who its owner approves. It’s owner is now dead, but the owner had allowed the porter to feed it, so it takes orders from the porter. No PC or the porter wanting the pony, it’s decided to give it to the nice Moyer family (1 father and 5 kids, headed to a farm owned by the father’s sister, in Kansas for a fresh start. The mother died during the War, and the father need help raising the kids).
  • The mechanic roboticist helps with the bridge – cuts the repair time in half

PCs arrive in beautiful Cheyenne – which was sacked by Martians.\Is the state capital… but the state and its capital are a mess. Notes about the city:

  • Opera house biggest building left in town, serves as city hall for now.
  • The Tivoli building is almost finished as new construction. It is a Pabst beer distribution center, and has “Mr. Satin’s Satin’s House of Refined Delights (an all-race, all-gender brothel) on the second floor.
  • There is a cheap, reliable Cheyenne Citizen Hostel
  • Also some homes that will let a room

The Fenrin Bounty Hunter checks on new Bounties:

  • Chimera Kid is now worth 650c as of yesterday
  • Bounty for “That Goddamn Manticore” 1000c posted by Ranch Master Dwargus Hardfist (a dwarf), go to the Circle Axe Ranch for more information

General:

  • This place is crawling with bounty hunters, assassins, guns fire hire, bodyguards, ugh-me-toughs
  • Why? No clue.
  • Old Blue (a fenrin bloodhound on the sheriff’s porch) says a “Year and a day” ends in a couple of weeks
    • Records house burned to the ground, lots of people died, so there is a lot of land no one knows who owns it. It was decided you can lay claim to land it and if no one has a better claim within a year and a day, it’s yours. Those first year-and-a-day claims come up in a few weeks, and everyone is expecting there to be some trouble over it.

The PCs are invited to a meeting with Fonts & Bismark Station Master Ralston Adler (who turns out to be in a wheelchain) at 5pm, to discuss the mysterious package the bandits tried to steal.

  • The Item is being held for a client who’s coming to get it (no details on who or when available). The item is a Martian crystal (tripod’s power core)
  • Nineteen duplicates were shipped at the same time for security. Eight were attacked
  • About the scrap of paper
    • The handwriting appears to be that of one Felspark Klein – elf woman Regional Director for East Hudson Fur Trading Co. She is new to the position (her predecessor died choking on a chicken bone).
    • She is staying at Vicious Hippogryph Ranch, adjacent to Circle Axe
    • Significant disagreement about who owns what plots of land
      • Biggest area of dispute has all the water
    • Adler agrees to get the PCs a copy of an excellent map of that area (+4 to know where we are)
  • Adler also knows that Dwargus hardfist of the Circle Axe has been claiming for months that a Manticore is loose in Wyomingn and feeding on ONLY his cattle

PCs decide to go check it out. They will wait until the map is ready before they take off to see about this manticore, and checkout Felspark Klein.

Fonts & Bismark agrees to equip the PCs with horses and supplies. Also note that a couple of other people are asking about these events, and if Adler is convinced they are assets, he’ll diect them to the PCs in the morning to see if the PCs want to join up with them.

End of game. XPs: 650 per PC.

Patreon
Want me t keep people updated about future game sessions? Want something else? Pathfinder 1st-edition content? Would you rather see more material for 5e, or industry insider articles? Join my Patreon for a few bucks a month, and let me know!

 

First Really Wild West Session — After-Action Report

A number of people have asked for more details about the train fight in the first Really Wild West game session (with the campaign entitled “Really Wild West: Doomstone”), so I have adapted notes taken by my wife Lj who is playing a fenrin operative bounty hunter named “Sawyer.” Some context may also be available from the campaign notes I developed from this session.

RWW Good Doggo

(“Sawyer,” by Jacob Blackmon)

I specifically set up this fight to bring the player characters together with a common interest. Here’s the set-up.

PCs:
Female Fenrin Operative Bounty Hunter (Seeking a bounty)

Female Centaur Paladin Mercenary (Seeking an ancient evil, the Venom King)

Female Human Mechanic Roboticist (Seeking to access Martian tech found in the field, rather than the picked-over scraps she can get hold of back East) – has stealth drone mechanical dog, “Pinion”

Male Human Soldier/Mystic  Criminal (Seeking to tip the balance for past bad deeds)

1891 – Spring

  • The Fenrin bounty hunter is looking for the Chimera Kid, who he shot a federal judg. The Kid is a Ksatha missing one of his four arms. Fights with poison pistol, flame pistol, ram-headed hammer.
  • Currently tracking Gavra Vardalos, a previous associate of the Kid, who is headed West on the Old Number Seven train out of St. Louis. Vardalos wears a black bandito mask with a green scorpion tail. Vardalos seems to be waiting for something.

Evening of day two – around 36 hours into the trip – as the sun sets

  • Alarm bell goes off as the train comes to an emergency stop
  • Bridge is out ahead. Fresh damage.
  • This might be what Vardalos was waiting for
    • He gets up and says he’s gonna check on his pony
    • Fenrin bounty hunter gets on top of the train and follows
  • The porters arm themselves
  • Vardalos says his pony needs medicine and wants to get into the baggage car
    • A halfling porter takes him around the outside to the caboose
  • Gunshots ring out from within the back of the train

FIGHT!

  • Just after the porter knocks on the caboose door, Vardalos attempts to kill him. Vardalos has two sabers enhanced with jury-rigged Martian heat-ray crystals. The distinctive sound of them powering up can be heard throughout the train, and including by the mechanic roboticist. Fenrin bounty hunter jumps down to stop vardalos.
  • The halfling caboose porter rolls under the train and pulls down a shield with a gun port from the bottom of the caboose, then locks his gun into it
  • The centaur paladin, suspicious of Vardalos’s possible involvement because of the scorpion-tail mask, also comes to stop him.
  • A stamer trunk turns out to be a mimic, and attacks a Fonts & Bismark agent guarding a package in the boxcar.
  • Outside the train, thin lizardfolk step out of the air – serpentfolk (5) from a hidden reality. Everyone not already engaged helps fight them off.
    • They shoot old revolvers. Poisoned bullets.
  • The mechanic roboticist and Pinon run to the back of the train to investigate the Martian tech sounds, and run into the Fonts & Bismark agent fighting against the steam trunk mimic. Stop to help.
  • The caboose door rotates out, revealing an old, beat up robot breakman, with a 2ft spanner
    • Moves to attack the serpentfolk who is attacking the porter
  • When Vardalos dies, his body writhes and breathes out a green vapor
  • As serpentmen overpower the conductor guarding the engine, soldier criminal comes running up the center of the train, shooting it from 2 cars away and preventing it from powering up the train and running it over the broken bridge into a gorge below.

ON VARDALOS: 2 manticore stamped revolvers; 2 jury-rigged Martian metal sabres; 350 credit chips issued from the East Hudson Fur Trading Co.; under a glove a signet ring with a scorpion tail with a green teardrop signet stone; scrap of paper with Fonts & Bismark Service# written on it – these go on whatever F&B is shipping that the mimic went for. The scrap has a watermark from the EHFTco. The fenrin bounty hunter can confirm it’s not written in Vardalos’ handwriting.

At the end of this introductory fight, the fenrin bounty hunter wants to follow up on the clues around Vardalos to see if they lead to the Chimera Kid. The centaur paladin wants to follow up because the green vapor and scorpion-tail clues are her best lead to find the cult of the Venom King. The mechanic roboticist wants to follow up because somehow Vardalos got access to fresh Martian heat-ray technology. The soldier/mystic wants to follow up because this seems like a good opportunity to earn some karmic balance.

The session didn’t end there of course.

Patreon
Want more info about this game session? Interested in ongoing updates on how the game is going (we hope to run it every-other week), or my GM process creating adventures for it? Want something else? Pathfinder 1st-edition content? Would you rather see more material for 5e, or industry insider articles? Join my Patreon for a few bucks a month, and let me know!