You can set the tone for an RPG, from an entire game system to a single adventure, with bits of short fiction. The purpose of this fiction isn’t really the same as fiction that exists only for its own sake. You need to introduce a world and show some of the ways it can be used, as much as entertain with prose.
That’s subtle different from game tie-in fiction. God tie-in fiction does work entirely on its own, and may even take liberties with what game rules could handle in order to present a story set in the same world as a game. It’s a balancing act, but the best tie-in fiction tends to be a good story first, and a faithful representation of a game later. (And this is fair – lots of games made as tie-in to fiction are imperfect representations of those fictional worlds. When you change the format, you accept some alteration in the details.)
For example, I’ve been experimenting with what fiction set in the Really Wild West would look like. I’ve done short introduction fiction for some of the RWW pieces, but am thinking I might take a different approach if I wanted to do my own tie-in fiction.
I haven’t had time to write a complete Really Wild West long-form story, but I have written the first scene of one.
THE GOOD, THE BAD, AND THE RUSTY
The air was dense with smoke and ash, burning Skaff’s throat as he sucked desperately through the bandanna held to his mouth. His eyes watered but he dared not shut them, glaring deep into the smoke as he ran. The clouds of thick gray ash and cinders were painful, burning his cheeks and hands, but it was infinitely preferable to the oily black vapor that would surely be crawling through the town’s streets by now. Choking, even burning, was a less fearful fate than the horrors he had seen visited on those who had been exposed even briefly to the black gas.
A loud roar, part steam horn and part animal howl, bellowed through town. Even over the screaming of panicked citizens he could not see through the conflagration, the roar was clear and chilling. He felt the need to run from that sound as quickly as possible, but it seemed to come from all directions at once. As its echoes faded, a similar sound rang in the distance. He was unsure how far away the source of the more remote roar could be—a mile?—less?—but he knew it was not far enough. The distant roar seemed to come primarily from the east and so he turned west, the direction only discernible because the low setting sun made one section of smoke glow more than the rest.
A woman crashed into him, running in blind panic, and clawed at his coat. She was tall and thin, with the fine features and sharp ears of an elf, but her face showed none of the serenity Skaff associated with the European clade. Before he could react to her at all, though he knew not if he hoped to aid the woman or shove her away, the elven interloper cried out and dashed out of sight into the smoke. She left a wet sensation on Skaff’s shirt, which he briefly hoped was water, perhaps a result of the woman trying to protect herself from the flames. But the strong smell of iron, wafting up even through smoke and bandana, told him the truth. He was covered in another person’s blood, soaked through her clothing to thoroughly that one impact had splashed it on him. It was a sure sign black gas was nearby. That woman, though running, was already dead. She just had the worst parts of experiencing her end yet to come.
Skaff tried to angle his retreat to move both westward, and away from the direction he thought the unfortunate blood-cover woman had come from. He could no longer see clearly from his left eye, and the stinging in his right forced him to close it even as he desperately fought to keep looking for deadly vapors. Shapes in the ash were vague, and he could only guess at their clades. A human, one of the insectile chivvin, the jerky motions of an automaton. A figure that was a centaur, or a mounted rider, thundered past. Suddenly, in a flash of crimson light and wave of heat, the horselike figure burst into flames, turning to charcoal before it could even fall to the ground.
And then, the dull glow of dusk was blocked from above.
The shape concealing the sun was vast, looming far above him. Even through the smoke its basic form was obvious, three long legs stretching up from the ground supporting a huge disk which writhed with undulating tentacles. Screams echoed down from the top of the shape, and Skaff stopped dead in his tracks. Hot drops of red fell on his face, like hellish rain, and he could taste that they were blood. One of the massive tripod legs lifted and swung forward, smashing some unseen building of brick and glass in the process. A stone struck Skaff, driving him to the dusty street, and the sky further darkened as the leg fell toward him.
Skaff woke screaming.
All around him it was dark, and for a long panicked moment he didn’t know where he was. Instinctively he scrambled backwards, fighting some wet shape that enwrapped him, tangling him and holding him tightly. Then he was falling. He thought he was falling from a great height, but he dropped just a short distance onto a hard, cold floor.
It was the chill air, as he dragged it into his aching throat, that made him realize he wasn’t in the smoke anymore. He wasn’t in that town. The tripod hadn’t crushed him, by the narrowest margin.
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CENTAURS IN STARFINDER
I have always loved the idea of centaur player characters. I suspect my love started with “Bridge of Sorrows” by Denis Beauvais, which was the cover of Dragon Magazine #92 (TSR, December 1984). Or maybe to goes back a tad earlier, to the Xanth novel Centaur Aisle, which I read in 1982, the same year I first encountered D&D, and RPGs in general.
I definitely want centaur PCs for my Really Wild West setting hack, which means I need rules for playing them as PCs in the Starfinder Roleplaying Game.
Centaurs are powerfully built and in tune with their surroundings, but their hybrid form does come with drawbacks. Some centaurs are slightly awkward, having the brain of a biped, but the body of a quadruped. Others are delicate, their thin ankles and strange doubled internal organs leaving them prone to injury and ailments. A few are impatient and have little taste for complex calculations, preferring direct action and simple solutions whenever possible.
+2 Strength, +2 Wisdom, -2 to Dexterity, Constitution, or Intelligence.
Size and Type
Centaurs are monstrous humanoids.Centaurs vary in size from halfling-scale torsos on pony equine bodies, to mighty human or even ogrelike torsos on mighty warhorse equine bodies. At character creation, a centaur PC decided if they are Medium or large. They use equipment as Medium characters in either case.
Centaurs have darkvision with a range of 60 feet.
Centaurs are close enough to nonmonstrous humanoids that they can be affected by spells and abilities that affect humanoids, but do not affect monstrous humanoids. Centaurs gain a +4 racial bonus to saving throws (if any) against such effects.
Centaurs have a land speed of 40 feet, but treat it as a speed of 20 feet when determining their movement using Athletics to climb or swim. A centaur gains a +2 bonus to AC when charging (which normally just offsets the -2 penalty to AC for charging). When a centaur succeeds at a bull rush combat maneuver, they can move their target 5 feet farther than normal.
Centaurs are always considered armed. They can deal 1d3 lethal damage with unarmed strikes and the attack doesn’t count as archaic. Centaurs gain a unique weapon specialization with their natural weapons at 3rd level, allowing them to add 1–1/2 × their character level to their damage rolls for their natural weapons (instead of just adding their character level, as usual).
Centaurs are quadrupeds, which gives them some advantages and a few drawbacks. They take -2 penalties to Acrobatics checks to tumble and Athletics checks to climb. When determining their bulk limits, centaurs add half their Constitution score to their Strength. Centaurs gain a +2 racial bonus to their KAC against bull rush and reposition combat maneuvers. A centaur can carry one creature of its own size, or two of at least one size smaller, without counting them against the centaur’s bulk limit.
CENTAURS IN THE REALLY WILD WEST
In the pulp-scifi-western-fantasy-world of the Really Wild West, centaurs appear in most ancient civilizations of western Asia, northern Africa, and eastern Europe. They often appear as separate tribes, no less advanced or civilized than the other species around them, and often seen as wiser and more scientifically advanced than the ancient cultures that wrote about them. They are an accepted part of the history of those places, and have become common throughout Africa, Europe and northern Asia.
However, centaurs are not generally huge fans of sea travel. This dislike is not pathological, but practical. Centaurs are excellent overland travelers, but at best mediocre swimmers, and many are large enough to make building ships to accommodate them problematic. In previous centuries, they simply used Roman roads and Asian trade routes to spread their kingdoms far and wide, often as the most feared and effective of cavalry. But the rise of sea travel in empire-building has left most centaur nations shrinking, and often joining larger bipedal nations in mostly-friendly alliances and unifications.
As a consequence, centaurs are not particularly common in the Americas, as their lack of a tradition of sea travel simply has centaur businesses and families less interested in the kinds of roles that have brought people from other nations to American shores. This in turn has caused most major North and South American to develop without taking centaur needs into account. Buildings are not designed to be accessed by hooved people up to seven feet tall, and even centaurs small enough to fit in American buildings find themselves with few places to stand in settings where everyone else sits.
Most centaurs in the Americas find they are just more comfortable in frontier towns or pure wilderness. So while there are not many centaurs on the continents in general, a disproportionate number of those who are present take to Wild West living, where their speed and carrying capacity, and long tradition of dedication and excellence, are seen as more than enough to justify making a few changes to the local saloon, or having on or two of the hotel’s stable stalls be well-appointed rooms, as well.
So, PF1 already has solid rules for centaur PCs, but what if you wanted to play a centaur PC in PF2, or 5e?
Additional languages equal to your Intelligence modifier (if it’s positive). Choose from Aklo, Elvish, Gnomish, Goblin, Jotun, Orcish, and any other languages to which you have access (such as the languages prevent to your region).
You can see in darkness and dim light just as well as you can see in bright light. though your vision in darkness is black and white.
Centaurs have a vast number of ethnic differences, but also can trace their linneage back to a few early tribes that still often produce very different
You are Large, rather than medium, and have a thick, sturdy appearance. You may have small tusks, or pointed ears. You gain the orc trait and your bulk limits are increased by +6. You can select orc feats whenever you gain an ancestry feat.
Your head, arms and torso are extremely humanlike. You gain the human trait and are trained in one skill of your choice. You can select human feats whenever you gain an ancestry feat.
While for a full suppliment we’d obviously want some cool centaur-specific ancestry feats, doing things this way ensures that as the PF2 game adds new options for humans and orcs, our centaur PCs will automatically gain expanded options as well.
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Gambling, and being a professional gambler, are common Wild West tropes, so the ideas ought to be supported in the Really Wild West setting hack for the Starfinder Roleplaying Game (which, after a long rest, is going to start getting regular support from me again!).
On the one hand, those rules ought to include some way to have dramatic gambling scenes for when a game of chance has become crucial to the plot. On the other hand, most people don’t want to have to be good gamblers to play the gambler character (any more than they want to have to be sharpshooters to play gunslingers).
So the rules should be simple, and play to the character sheet as much as the player, while retaining some dramatic tension.
Step one is to explicitly allow “gambler” as an option for the Profession skill. In most cases, a character who wants to make money gambling just uses Profession (gambler). While all professional gamblers can pull from a broad toolbox to make money, the emphasis of their gambling style is determined by what ability score it’s based on. If the skill is Intelligence-based, the gambler depends primarily on knowing the odds and rules of the games, calculating the smart bet and using betting schemes to maximize wins and minimize losses. If the skill is Wisdom-based, the gambler depends more on reading other gamblers and trusting instinctive gut feelings on how to bet. If the skill is Charisma-based, the gambler depends more on bluffing, faking out other gamblers, or using a distraction to cover cheating.
Unlike most Profession skills, a character can make Profession (gambler) checks untrained *thought they cannot use it for the earn a living task if untrained). A player decides what ability score Profession (gambler) is based on when they take their first rank it in (and may choose any ability score if using it untrained).
To make things slightly more interesting, a character with Profession (gambling) can use casual betting when making the skill check for the Earn a Living task. The player bets a number of credits equal to their Profession (gambler) skill +10. Then if their skill check for the task (which they may not take 10 on) results in a d20 roll of 2-5, their bet is lost and no money is earned. On a 6-10, they win back their bet, but do not earn any additional income. On an 11-15, they win back their bet and earn credits normally. On a 16 or higher, they win back their bet and earn twice as much as normal for a week’s work. On a natural 1, they lose the bet and lose the same amount of additional credits. (Overall this option is good deal for the player.)
Once a character has used this option for a week in a settlement and made money doing so, it’s not normally available again for at least a month (as locals have learned better than to play with the character). A GM may modify this rule for cities with lots of gambling, very large settlements, and times when numerous new potential gambling partners are appearing regularly.
Dramatic gambling is only used when the GM calls for it, and normally only when there’s more on the line than just credits. This is the option when the master villain insists on playing poker to see who wins the blood-soaked contract that sells a soul to a devil, or a neutral third party won’t sell the crucial material for a required ritual, but will gamble for it. Unless all the players are gamblers (or find interacting with the dramatic betting rules interesting), this should be as rare as any other focus most players can’t interact with—it’s fine as a spotlight scene or a change of pace, but you shouldn’t build regular encounters out of these rules unless your players know the campaign is going to have a gambling focus.
Dramatic gambling can be done with Bluff, Culture, Diplomacy, Profession (gambling), or Sleight of Hand (with potential consequences). Characters must make multiple checks during a dramatic gambling event, usually using at least two different skills. Most of these skills cannot be used more than once during a dramatic gambling event. The exceptions to this are Profession (gambling) and Sleight of hand, which may always be used. If a character decides to use Sleight of Hand they are choosing to cheat, and all participants and bystanders are allowed to make an opposed Perception check with a -5 penalty and, with a successful check, spot the character cheating.
Before any rolls are made, the gambling event’s stakes must be determined. This can be as simple as an amount of money risked by each participant, but for dramatic gambling events it’s equally likely to be some sort of plot point. For example, if the PCs are trying to convince the Cattle Duke of Montana to allow them to lay train tracks through his grazing lands, the Duke might decide the issue is settled by a high-stakes game of Red Dog, as represented by a dramatic gambling event. Similarly, if the specific player is trying to pick up a legendary item using renown, a GM might decide the final task needed to do so is a throw of the dice with Death herself… again, as a dramatic gambling event.
If the stakes are money, the winner gets to double their stake, and everyone else loses their stake (any “unwon” money goes to the house, which is never a PC). If the stakes are more plot driven the GM should be clear about the consequences of winning and losing. The PCs convince the Cattle Duke to allow their train through his territory if they win, and lose any chance of a peaceful settlement of the problem if they lose. The PC wins a legendary weapon from Death with a win, and gains a temporary negative level with a loss.
Stakes should also include the cost of folding. A character can fold until the Final Reveal. Normally folding costs you half your stakes, though for dramatic gambling where the stakes are more conceptual, the GM should just establish stakes that are half as bad as loosing (the Duke won’t work with you, but will allow you to keep trying to find a new deal he likes better. Death doesn’t give you the legendary item, but the negative level only lasts 1d6 days.)
The First Deal
Once stakes are set, the First Deal is made. This represents how good a position each participant begins with in the gambling. This need not be one hand of cards, or even cards at all. It could represent luck in the first spin of a roulette wheel, how good information about a horse is, or the value of an initial die roll in a gambling dice game.
Each participant in the event rolls a d20 in secret. The die is set aside for the moment. The First Deal is used to determine the final winner of the dramatic gambling event, but not yet.
No abilities that affect d20 reroll can be used on another character’s First Deal, including things like rerolls, unless the character using the ability has successfully Read the d20 result first. Any participant can attempt to Read another participant’s First Deal with a successful use of the detect deception task of Sense Motive check. This can be attempted once after the First Deal, once after the First Deal, and once after the Raise Round, each time looking at a single participant’s First Deal. On a successful check, the raw d20 result of the First Deal is revealed. Once you use Sense Motive to attempt to Read a First Deal you can’t use Sense Motive for any other purpose during the dramatic gambling event.
The GM can ask to see anyone’s First Deal die result, but can’t have NPCs act based on that knowledge without successfully using an ability to Read it.
After the First Deal, comes the Raise Round. Each player makes one d20 roll in the open. Then, from lowest die result to highest, each participant chooses a skill to add the bonus of to d20 roll. Characters can only use their ranks + ability score for this bonus, unless they state they are using some other rule that affects it, such as a class feature, feat, racial ability, spell, or item. (Using spells or items is always considered cheating, and requires a Stealth check opposed by all bystander’s and participant’s Perception checks, to do so without being noticed). Any such ability that affects a die roll or skill bonus can only be used once at any point in the dramatic gambling event. If an operative decides to add operative’s edge to a skill check for the Raise Round, it cannot be used again in the Final Round, even for a different skill.
Once each participant has done this, and the current result of all the raise Round skill checks are known, in the same order characters may choose if they wish to change to a new skill (perhaps one with a higher bonus), or to add an ability that can impact the Raise Round skill check. If anyone does so, another round of potential chances to skills used and class features is taken, repeating until all players pass.
Any skill or ability used in this process cannot be used again in the Final Round.
The winner of the Raise Round is allowed to roll an additional d20, in the open. In the Final Round, that player can use his original First Deal d20 check, or the new d20 roll. This decision need not be made until all the Final Round actions are completed, and everyone’s First Deal is revealed.
If two or more character’s Raise Round skill check totals are tied for the highest total at the end of the Raise Round, whichever character got to that total first wins the round.
At any point in the Raise Round, a participant may Fold, in which case they lose half their stakes (or suffer the more minor penalty, for dramatic gambling events with nonmonetary stakes.)
In the Final Round, participants go in reverse order of the order used in the Raise Round. Each participant chooses a skill and declares what their total bonus for that skill is, but do NOT yet reveal what their total is with their First Deal die.
As with the Raise Round, after every participant has declared a skill and any abilities they wish to use to boost it, another round is held where characters may swap to new skills or add new abilities. After each round, characters may Fold, as with the Raise Round.
After everyone passes, everyone in the same order decides to Fold or Call.
Everyone who Calls reveals their First Deal d20 roll, adds their total bonus, and the highest total wins. Whoever won the Raise Round may swap to their second d20 roll in place of their First Deal roll after seeing everyone else’s total. In case of a tie, the character with the highest number of ranks in their chosen skill wins (better good than lucky). If there is still a tie, everyone tied rolls a d20 and the highest result wins.
Example of Play
Alex (a soldier), Janye (an operative), and Stan (an envoy) are playing out a dramatic gambling event. They establish stakes, 100 credits each.
Each of them makes a First Deal roll. Alex gets a 4, Jayne a 7, and Stan a 17, but none of those die results are revealed.
Alex decides to attempt to Read Stan’s First Deal die roll. Alex makes a Sense Motive check, opposed by Stan’s Bluff check. Alex succeeds, and learns Stan’s hidden die roll is a 17. Alex now can’t use Sense Motive for any purpose in this dramatic gambling event other than attempting another Read check after the Raise Round.
For the Raise Round, Alex, Jayne, and Stan each make another d20 roll this time in the open. Alex gets a 15, Jayne an 11, and Stan a 10. Since Stan rolled the lowest, he is the first to declare a skill total. Since he knows he has a 17 as his First Deal, he decides to use a lower skill here and states his using Diplomacy, which is +8, for a Raise Round total of (d20 roll 10 + 8) 18.
Jayne goes next. She has Profession (gambling) at +12, and is an operative with another +2 from operative’s edge. She can use Profession for both her die rolls, but can only apply her operative’s edge to one of them. Knowing she has a First Deal roll of 7, she’d like to win the Raise Round to get a reroll, but hopes she won’t have to use operative’s edge to do it. So she uses her Profession skill without her+2 operative’s edge, getting a total of (d20 roll 11 +12) 23.
Alex has a Raise Round result of 15, and knows his First Deal result is 4 and Stan’s is 17. His best skill is Culture, which is +12, and his second-best is Diplomacy, which is +9. He feels he must get the reroll in the Raise Round to have any hope of winning, and isn’t sure using Diplomacy is good enough. It would get him a 24, better than Jayne’s current total, but if she has any abilities to boost her result she could beat him. Alex decides to use his Culture to get a total of (d20 roll 15 +12) 27.
Everyone has a chance to change their skills now, again beginning with Stan. Stan decided he wants to prevent Alex or Jayne from getting the reroll from winning the Raise Round, even if he doesn’t need it, so he switches to his Bluff, which has a +12 bonus and gives him the option of adding a +1d6+1 expertise die. Stan decided to use the expertise die now, and rolls a (1d6 roll 4 +1) 5, giving him a +17 bonus for this skill check. That gives him a (d20 roll 10 +17) 27 total as well. However since Alex got that result first, he wins the tie.
No one else wants to use any other skills, so Alex wins the Raise Round. He makes a d20 Raise Roll in the open, getting a 12. Now he can use either his original First Deal result of 4, or his Raise Roll of 12, for the Final Round.
On the Final Round, participants go in reverse order of their Raise Round totals (Jayne 23, Stan 27, Alex 27). Each announced their skill total, but does not yet reveal their First Deal die. Jayne knows Alex has a Raise Roll result of 12 he can use, and she knows her own First Deal roll is a 7. She declares she is using Profession (gambling) again, which gives her a +12 bonus, and that she is using operative’s edge (there’s no reason not to), for a total of a +14 bonus.
Stan used his best skills (Bluff and Diplomacy) and his skill expertise class feature, so his best remaining option is to use his weaker Sense Motive skill, at +7.
Alex knows he has a Raise Roll of 12, but his best remaining skill is diplomacy at +9.
No one has any additional abilities to add or better skills to switch to, the everyone passes.
Jayne then must decide to Fold or Call. She has a skill bonus of +14 and a First Deal die roll of 7, so she knows her total is 21. She also knows Alex has at least a 12 (his visible Raise Roll) and a bonus of +7, also a 21. She thinks she has more ranks in Profession (gambling) than Alex has in Diplomacy, so she calls.
Stan has a skill bonus of +7, and a First Deal die roll of 17, for a total of 24. But he is afraid Jayne’s much higher skill bonus makes her more likely to win. He folds, and loses half his stakes (50 credits).
Alex thinks Jayne must have a really bad First Deal die roll, so he Calls.
Jayne and Alex then reveal their totals. They are tied at 21, but Jayne DOES have more ranks in her skill than Alex has in his, so she wins. Alex loses all his stake, and Jayne doubles her stake.
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We’re going to take a pause from the Multiclass ThemeType rules, to pick up a thread from a few weeks ago when I was discussing how to make creatures and NPCs using the Starfinder Roleplaying Game monster creation rules. I already did two entries in this series using Really Wild West creatures as examples—the grizzly boar for the combatant array, and the rattle-cat for the expert array.
Now, it’s time to talk about the spellcaster array, and for that, we need something special.
Rakshasa are native outsiders—that is they are inhuman creatures of supernatural power, that are born in and native to the mortal world. They are among the more powerful and feared threats of Southern Asia, and plagued that section of the world of the Really Wild West for centuries before anyone in Europe or the Americas knew anything at all about them. Rakshasa are generally born to a rakshasa parent and a humanoid parent and few rakshasas immigrate out of South Asian, keeping their population elsewhere low. But there is a second circumstance where a rakshasa can be born—when human parents are exposed to great evil and cruelty and kept away from holy places, practices, and people, sometimes an reincarnated evil spirit is drawn to their misery, and born as a rakshasa in a concealed guise as the same race as its parents.
Sadly, the fact that the United States Naturalization Law of March 26, 1790 denied citizenship to all immigrants not of white lineage, and most South Asians who were brought to North America served as low-paid farm workers, often lead to situations where the immigrants were forbidden to practice their own religions, suffered cruelty and evils committed upon them, and were even sometimes imprisoned and used for experimentation by Caucasians seeking to gain more power through the expanding arts of theosophy and mad science.
As a result, in the mid 1800s, the first natural born western rakshasa began to appear.
Such creatures are natural deceivers, planners, leaders, and generally power hungry. They learn how to manipulate social systems to their advantage while just children, and are not above arranging horrible fates for their communities in order to be found as “lone survivors,” and adopted by wealthier, more affluent families, While some settle in to urban areas to gain political and economic power in increasingly large cities, others prefer to head to the frontier, to carve their own empires out of the wilderness as cattle barons, marshals, regional governors, and even the unquestioned leaders of outlaw gangs.
While an infant rakshasa might be less powerful than the CR 5 given here as a minimum, such a creature would never risk exposing itself. Any rakshasa willing to operate in any open manner is at least a young adult, and no less than CR 5. Western rakshasa are no more powerful or organized than their South Asian brethren, but they have grown to be one of the greatest threats any Really Wild West adventurer might encounter.
In their natural form, rakshasa have the appearance of anthropomorphic animals, usually predators, and have some joint or joints backwards from a human. The use of tiger-headed rakshasa with backwards-curling hands in the spectacularly popular 1897 Mark Twain novel “The Chronicle of Young Rakshasa,” where Huck Finn and Tom Sawyer encounter and must drive away a powerful Satan-like figure (who claims to be the “youngest of 44 master rakshasa”), has caused the common view of rakshasa to be exclusively this version, to the point that some rakshasas take the form when wishing to impress, even if they actually have different animals-features and reversed joints.
Building and Defining a Spellcaster
Spellcaster arrays are for creatures that should first and foremost be seen as users of supernatural powers. They gain either spell-like abilities or spellcasting automatically, allowing them to use such powers for offense and defense, while still having other special abilities to make them unique and interesting. Anytime you are making an NPC mystic or technomancer, you want to use the spellcaster array and the appropriate class graft, in addition to any creature graft.
But in this case, we’re going to write up creatures that have innate spellcasting abilities, as natural to them as their unholy blood.
As with the creatures we designed in the previous entries, we want to create a template graft, that a GM can use to create rakshasas of any appropriate CR. So, the final template graft looks like this:
WESTERN RAKSHASA TEMPLATE GRAFT (CR 5+)
Required Array: Spellcaster
Required Type: Outsider
Alignment: Lawful Evil
Speed: 40 feet
Ability Score Modifiers: Dexterity, Charisma, Strength
Special Abilities: 0-Spellcasting (mystic and technomancer). 1- Change Shape (see below). Damage Reduction (equal to CR x 1.5, bypassed by good). 3- Detect thoughts (see below). 4-Spell Resistance (equal to CR +15).
Key Spells: 1st charm person, magic missile; 2nd caustic conversion, invisibility, 3rd arcing surge, holographic image
Skills: Master– Bluff; Good-Diplomacy, Sense Motive
Attacks: Multiattack melee (bite, two claws), melee weapon, ranged weapon.
Detect Thoughts (Su): A rakshasa can detect thoughts as per the spell of the same name. It can suppress or resume this ability automatically at the beginning of its turn. When a rakshasa uses this ability, it always functions as if it had spent three rounds concentrating and thus gains the maximum amount of information possible. A creature can resist this effect with a successful Will save.
To make this monster, a GM just takes the spellcaster array for the desired CR of the end monster, adjusts the numbers as noted for the outsider type, and enters those values in a stat block as directed by the template graft.
There are a few things to look out for with rakshasa. First, since they use the spellcaster array, they get spellcasting automatically, and you need to pick their spells known. The template graft offers some “key spells,” but that’s largely just to save you time and give you a feel for what a typical rakshasa of this type is likely to focus on. Feel free to deviate from this list if you wish. Also, the stat block doesn’t bother with 1st level spells, because the rakshasa is unlikely to run out of higher-level options during a typical fight. This is the same logic for giving it unlimited 2nd-level spells per day. If for some reason you need to know exactly how many lower-level spells an npc has, check out the rules in Starfinder Pact Worlds.
Secondly, as a tool user, the rakshasa needs weapons. The easy options is to pick melee and ranged weapons that are about 10th item level. The same applies if you plan to give them armor, though rakshasa don’t really need it, and it doesn’t impact their AC anyway (you give a creature armor if it makes sense for the creature to have armor, or if you want to use it as PC loot, of if you want them to have an armor upgrade—which may also serve as loot). Since this is a Really Wild West rakshasa I gave it a damascus repeating shotgun and limited it’s pistols to 6 rounds each, but you could swap that out for any weapons appropriate to your setting.
Finally, I gave them multiattack. That allows them to forgo using a melee weapon to make a series of natural melee attacks. Read the multiattack rules on how to figure out their damage and attack rolls, but this only matters if they take a full attack routine. They can just use their melee weapon to make a normal attack.
Here’s what a CR 10 western Rakshasa (one of the most dangerous things in all of the Really Wild West) looks like, for example.
Rakshasa, Western CR 10 [SPELLCASTER]
XP 9,600 each
LE Medium Outsider (evil, native, rakshasa, shapechanger)
Init +8 Senses darkvision (60 ft.); Perception +19
DEFENSE HP 140
EAC 22; KAC 23
Fort +9; Ref +11; Will +13
Defensive Abilities DR 15/good
Speed 40 ft.
Melee +17 microserrated longsword (2d10+13, critical bleed 2d6)
Multiattack bite +11 (1d10+13 P), 2 claws +10 (1d10+13 S)
Ranged +19 damascus repeater shotgun (3d8+10 P) or
+19 elite revolving pistol (3d6+10 P)
Technomancer Spells Known (CL 10th) DC 18
4th (3/day)—greater invisibility, mind thrust (DC 22)
3rd (6/day)—arcing surge (DC 21), charm monster (DC 21), holographic image (DC 21),
lesser resistance armor
2nd (at will)—caustic conversion (ranged attack +18), invisibility
Str +3; Dex +8; Con +3; Int +1; Wis +1; Cha +8
Skills Bluff +24, Diplomacy +19, Sense Motive +19
Languages Aklo, Common, Infernal
Other Abilities change shape
Gear Damascus repeater shotgun with 12 slugs and 12 shot, two elite revolving pistols with 36 rounds, microserrated longsword, 2 mk II serums of healing
Change Shape (Su): As a standard action, a rakshasa can physically alter its form to look like any Medium humanoid or outsider, as long as it has seen a similar creature before. It can attempt to either mimic a specific creature or look like a general creature of any humanoid subtype it is familiar with. The rakshasa gains a +10 bonus to Disguise checks to appear as a creature of the type and subtype of the new form. The DC of the rakshasa’s Disguise check is not modified as a result of altering major features or for disguising themselves as a creature of a different type. The rakshasa can remain in an alternate form indefinitely (or until it takes another form).